<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6321218951926757521</id><updated>2012-02-16T02:46:25.620-08:00</updated><title type='text'>The One-Line Review Presents</title><subtitle type='html'>"The 50 Greatest Films"</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://1linereview2.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://1linereview2.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default?start-index=101&amp;max-results=100'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>3272</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6321218951926757521.post-8419996478645276539</id><published>2009-12-09T09:24:00.000-08:00</published><updated>2010-06-20T10:49:37.406-07:00</updated><title type='text'></title><content type='html'>&lt;span style=" line-height: 18px;"&gt;&lt;span style="color:#444444;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;A 2009 poll of film-makers, critics, bloggers, historians, and other assorted cinephiles, attempting consensually to find “The 50 Greatest Films”.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span style=" line-height: 18px;"&gt;&lt;span style="color:#444444;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" line-height: 18px;"&gt;&lt;span style="color:#444444;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span"  style="color: rgb(0, 0, 0);  line-height: normal; font-family:Georgia, serif;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/introduction.html"&gt;&lt;img src="http://1.bp.blogspot.com/_SPYL8UC1UCY/S78s2534y6I/AAAAAAAABWw/wlnHhb_i-xk/s400/Citizen+Kane.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5458130595156118434" style="cursor: pointer; width: 310px; height: 400px; " /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6321218951926757521-8419996478645276539?l=1linereview2.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://1linereview2.blogspot.com/feeds/8419996478645276539/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6321218951926757521&amp;postID=8419996478645276539' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default/8419996478645276539'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default/8419996478645276539'/><link rel='alternate' type='text/html' href='http://1linereview2.blogspot.com/2009/07/2009-poll-of-filmmakers-critics.html' title=''/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_SPYL8UC1UCY/S78s2534y6I/AAAAAAAABWw/wlnHhb_i-xk/s72-c/Citizen+Kane.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6321218951926757521.post-5736302330235582165</id><published>2009-11-14T05:51:00.001-08:00</published><updated>2009-11-16T15:06:32.683-08:00</updated><title type='text'>...And Alternatively</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;span style="Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;...and to present the results with all of the best known (and as such slightly dull) films weeded out, I offer the following alternatives. &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;This first list shows The 50 Greatest Films excluding any film that has been rated more than 2500 times at the IMDb (a fairly reliable indicator of the Zeitgeist,) thus giving us a list of some the lesser known (at least with regards to the public) but still critically acclaimed works. &lt;a href="http://1linereview2.blogspot.com/2009/11/50-films-2500-maximum.html"&gt;50 Films (2500 maximum)&lt;/a&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;The next three lists employ a formula that gives a weighted result which, theoretically at least, should level the playing field. Again using the IMDb, I have taken the number of times that a film has been rated by IMDbers and divided that number by the number of votes that it has received here - number of IMDb votes ÷ number of 50 Greatest Films votes = weighted vote. &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;For the first list, films must have received art least 20 votes: &lt;a href="http://1linereview2.blogspot.com/2009/11/weighted-list-minimum-20-votes.html"&gt;Weighted list (20 votes minimum)&lt;/a&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;For the second list, films must have received art least 10 votes: &lt;a href="http://1linereview2.blogspot.com/2009/11/weighted-list-minimum-10-votes.html"&gt;Weighted list (10 votes minimum)&lt;/a&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;font-family:&amp;quot;;font-size:10.0pt;"&gt;And for the final list, films need only to have received a minimum of 5 votes: &lt;a href="http://1linereview2.blogspot.com/2009/07/50-greatest-films-weighted.html"&gt;Weighted list (5 votes minimum)&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6321218951926757521-5736302330235582165?l=1linereview2.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://1linereview2.blogspot.com/feeds/5736302330235582165/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6321218951926757521&amp;postID=5736302330235582165' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default/5736302330235582165'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default/5736302330235582165'/><link rel='alternate' type='text/html' href='http://1linereview2.blogspot.com/2009/11/and-to-look-at-it-in-different-way.html' title='...And Alternatively'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6321218951926757521.post-3436122716280741189</id><published>2009-11-14T05:49:00.000-08:00</published><updated>2010-09-10T01:47:57.137-07:00</updated><title type='text'>50 Films (2500 maximum)</title><content type='html'>&lt;ol style="margin-top:0cm" start="1" type="1"&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/celine-and-julie-go-boating-1974.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Céline      and Julie Go Boating (1974)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jacques Rivette&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/chimes-at-midnight-1965.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chimes      at Midnight (1965)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Orson Welles&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/gertrud-1964.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Gertrud      (1964)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Carl Theodor Dreyer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/early-summer-1951_09.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Early      Summer (1951)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Yasujiro Ozu&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sans-soleil-1983.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Sans      Soleil (1983)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Chris Marker&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/werckmeister-harmonies-2000.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Werckmeister      Harmonies (2000)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Bela Tarr&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/green-ray-1986.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Green Ray (1986)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Eric Rohmer &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/ivan-terrible-part-two-1946.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Ivan      the Terrible, Part Two (1946)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Sergei M. Eisenstein&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mother-and-whore-1973.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Mother and the Whore (1973)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jean Eustache&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/life-of-oharu-1952.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Life of Oharu (1952)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Kenji Mizoguchi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/muriel-ou-le-temps-dun-retour-1963.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Muriel      ou Le Temps d'un Retour (1963)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Alain Resnais&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/jeanne-dielman-1975.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Jeanne      Dielman (1975)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Chantal Akerman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/viaggio-in-italia-1954.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Viaggio      in Italia (1954)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Roberto Rossellini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/satantango-1994.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Sátántangó      (1994)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Bela Tarr&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/zero-de-conduite-1933.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Zéro      de Conduite (1933)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jean Vigo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/claires-knee-1970.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Claire's      Knee (1970)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Eric Rohmer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/meshes-of-afternoon-1943.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Meshes      of the Afternoon (1943)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Maya Deren&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/kind-hearts-and-coronets-1949.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Kind      Hearts and Coronets (1949)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Robert Hamer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/les-vampires-1915.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Les      Vampires (1915)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Louis Feuillade&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/berlin-alexanderplatz-1980.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Berlin      Alexanderplatz (1980)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Rainer Werner Fassbinder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/river-1951.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The River      (1951)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jean Renoir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/close-up-1990.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Close-Up      (1990)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Abbas Kiarostami&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wind-will-carry-us-1999.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Wind Will Carry Us (1999)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Abbas Kiarostami&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/long-day-closes-1992.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Long Day Closes (1992)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Terence Davies&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/partie-de-campagne-1936.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Partie      de Campagne (1936)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jean Renoir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/tabu-1931.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tabu (1931)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;      .. F.W. Murnau&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/lola-montes-1955.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Lola      Montes (1955)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Max Ophüls&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/seven-men-from-now-1956.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Seven      Men from Now (1956)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Budd Boetticher&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/casque-dor-1952.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Casque      d'Or (1952)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jacques Becker&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/killer-of-sheep-1977.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Killer      of Sheep (1977)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Charles Burnett&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/some-came-running-1958.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Some      Came Running (1958)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Vincente Minnelli&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/madame-de-1953.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Madame      de... (1953)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Max Ophüls&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/my-night-with-maud-1969.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;My      Night with Maud (1969)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Eric Rohmer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wind-1928.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The Wind      (1928)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Victor Sjöström&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/fantomas-191314.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Fantômas      (1913/14)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Louis Feuillade&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/human-condition-iii-1961.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Human Condition III (1961)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Masaki Kobayashi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/story-of-last-chrysanthemums-1939.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Story of the Last Chrysanthemums (1939)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Kenji Mizoguchi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/distant-voices-still-lives-1988.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Distant      Voices, Still Lives (1988)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Terence Davies&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/le-plaisir-1952.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Le      Plaisir (1952)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Max Ophüls&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/brighter-summer-day-1991.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;A      Brighter Summer Day (1991)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Edward Yang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/bigger-than-life-1956.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Bigger      Than Life (1956)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Nicholas Ray&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/earth-1930.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Earth      (1930)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Aleksandr Dovzhenko&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/autumn-afternoon-1962.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;An      Autumn Afternoon (1962)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Yasujiro Ozu&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mother-and-son-1997.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Mother      and Son (1997)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Aleksandr Sokurov&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/boudu-saved-from-drowning-1932.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Boudu      Saved from Drowning (1932)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jean Renoir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/canterbury-tale-1944.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;A      Canterbury Tale (1944)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Michael Powell &amp;amp; Emeric Pressburger&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/alice-in-cities-1974.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Alice      in the Cities (1974)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Wim Wenders&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/colour-of-pomegranates-1968.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Colour of Pomegranates (1968)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Sergei Paradjanov&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/strike-1925.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Strike      (1925)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Sergei M. Eisenstein&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/young-girls-of-rochefort-1967.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Young Girls of Rochefort (1967)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jacques Demy&lt;/span&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6321218951926757521-3436122716280741189?l=1linereview2.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://1linereview2.blogspot.com/feeds/3436122716280741189/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6321218951926757521&amp;postID=3436122716280741189' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default/3436122716280741189'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default/3436122716280741189'/><link rel='alternate' type='text/html' href='http://1linereview2.blogspot.com/2009/11/50-films-2500-maximum.html' title='50 Films (2500 maximum)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6321218951926757521.post-8690092036723599200</id><published>2009-11-14T05:44:00.000-08:00</published><updated>2010-09-10T01:47:29.076-07:00</updated><title type='text'>Weighted list (10 votes minimum)</title><content type='html'>&lt;ol style="margin-top:0cm" start="1" type="1"&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/celine-and-julie-go-boating-1974.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Céline      and Julie Go Boating (1974)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jacques Rivette&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/gertrud-1964.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Gertrud      (1964)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Carl Theodor Dreyer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/green-ray-1986.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Green Ray (1986)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Eric Rohmer &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/chimes-at-midnight-1965.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chimes      at Midnight (1965)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Orson Welles&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/early-summer-1951_09.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Early      Summer (1951)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Yasujiro Ozu&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/late-spring-1949.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Late      Spring (1949)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Yasujiro Ozu&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sans-soleil-1983.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Sans      Soleil (1983)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Chris Marker&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/latalante-1934.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;L'Atalante      (1934)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jean Vigo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/spirit-of-beehive-1973.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Spirit of the Beehive (1973)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Victor Erice&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/au-hasard-balthazar-1966.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Au      Hasard Balthazar (1966)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Robert Bresson &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/tokyo-story-1953.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tokyo      Story (1953)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Yasujiro Ozu &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/man-with-movie-camera-1929.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Man      with a Movie Camera (1929)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Dziga Vertov&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/werckmeister-harmonies-2000.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Werckmeister      Harmonies (2000)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Bela Tarr&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/diary-of-country-priest-1950.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Diary      of a Country Priest (1950)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Robert Bresson &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/la-regle-du-jeu-1939.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;La      Règle du Jeu (1939)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jean Renoir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/playtime-1967.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Playtime      (1967)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jacques Tati&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/last-year-at-marienbad-1961.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Last      Year in Marienbad (1961)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Alain Resnais&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/ivan-terrible-part-one-1944.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Ivan      the Terrible, Part One (1944)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Sergei M. Eisenstein&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/ivan-terrible-part-two-1946.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Ivan      the Terrible, Part Two (1946)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Sergei M. Eisenstein&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/lavventura-1960.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;L'Avventura      (1960)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Michelangelo Antonioni&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sunrise-1927.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Sunrise      (1927)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. F.W. Murnau&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/day-of-wrath-1943.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Day      of Wrath (1943)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Carl Theodor Dreyer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/conformist-1970.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Conformist (1970)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Bernardo Bertolucci&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/ordet-1955.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Ordet      (1955)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Carl Theodor Dreyer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/last-laugh-1924.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Last Laugh (1924)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. F.W. Murnau&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sansho-dayu-1954.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Sansho      Dayu (1954)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Kenji Mizoguchi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/woman-of-dunes-1964.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Woman      of the Dunes (1964)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Hiroshi Teshigahara&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pandoras-box-1929.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Pandora's      Box (1929)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. G.W. Pabst&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/greed-1924.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Greed      (1924)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Erich von Stroheim&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/passion-of-joan-of-arc-1928.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Passion of Joan of Arc (1928)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Carl Theodor Dreyer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pather-panchali-1955.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Pather      Panchali (1955)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Satyajit Ray &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/ugetsu-monogatari-1953.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Ugetsu      Monogatari (1953)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Kenji Mizoguchi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/leclisse-1962.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;L'Eclisse      (1962)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Michelangelo Antonioni&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/persona-1966.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Persona      (1966)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/black-narcissus-1947.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Black      Narcissus (1947)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Michael Powell &amp;amp; Emeric Pressburger&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/vivre-sa-vie-1962.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Vivre      sa Vie (1962)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jean-Luc Godard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pickpocket-1959.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Pickpocket      (1959)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Robert Bresson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/night-and-fog-1955.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Night      and Fog (1955)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Alain Resnais&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/johnny-guitar-1954.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Johnny      Guitar (1954)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Nicholas Ray&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sherlock-jr-1924.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Sherlock,      Jr. (1924)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Buster Keaton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/les-enfants-du-paradis-1945.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Les      Enfants du Paradis (1945)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Marcel Carné&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/nashville-1975.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Nashville      (1975)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Robert Altman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/eyes-without-face-1960.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Eyes      Without a Face (1960)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Georges Franju&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/long-goodbye-1973.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Long Goodbye (1973)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Robert Altman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/umbrellas-of-cherbourg-1964.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Umbrellas of Cherbourg (1964)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jacques Demy&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/dekalog-1989.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Dekalog      (1989)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Krzysztof Kieslowski&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/la-grande-illusion-1937.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;La      Grande Illusion (1937)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jean Renoir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/viridiana-1961.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Viridiana      (1961)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Luis Buñuel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/passenger-1975.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Passenger (1975)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Michaelangelo Antonioni&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/la-jetee-1962.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;La      Jetée (1962)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Chris Marker&lt;/span&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6321218951926757521-8690092036723599200?l=1linereview2.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://1linereview2.blogspot.com/feeds/8690092036723599200/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6321218951926757521&amp;postID=8690092036723599200' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default/8690092036723599200'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default/8690092036723599200'/><link rel='alternate' type='text/html' href='http://1linereview2.blogspot.com/2009/11/weighted-list-minimum-10-votes.html' title='Weighted list (10 votes minimum)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6321218951926757521.post-3251053147354587224</id><published>2009-11-14T05:40:00.000-08:00</published><updated>2010-09-10T01:47:30.754-07:00</updated><title type='text'>Weighted list (20 votes minimum)</title><content type='html'>&lt;ol style="margin-top:0cm" start="1" type="1"&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/latalante-1934.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;L'Atalante      (1934)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jean Vigo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/spirit-of-beehive-1973.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Spirit of the Beehive (1973)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Victor Erice&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/au-hasard-balthazar-1966.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Au      Hasard Balthazar (1966)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Robert Bresson &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/tokyo-story-1953.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tokyo      Story (1953)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Yasujiro Ozu &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/man-with-movie-camera-1929.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Man      with a Movie Camera (1929)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Dziga Vertov&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/la-regle-du-jeu-1939.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;La      Règle du Jeu (1939)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jean Renoir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/playtime-1967.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Playtime      (1967)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jacques Tati&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/lavventura-1960.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;L'Avventura      (1960)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Michelangelo Antonioni&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sunrise-1927.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Sunrise      (1927)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. F.W. Murnau&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/conformist-1970.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Conformist (1970)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Bernardo Bertolucci&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/passion-of-joan-of-arc-1928.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Passion of Joan of Arc (1928)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Carl Theodor Dreyer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/persona-1966.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Persona      (1966)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/nashville-1975.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Nashville      (1975)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Robert Altman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/la-grande-illusion-1937.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;La      Grande Illusion (1937)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jean Renoir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/andrei-rublev-1966.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Andrei      Rublev (1966)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Andrei Tarkovsky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/days-of-heaven-1978.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Days      of Heaven (1978)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Terrence Malick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/ikiru-1952.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Ikiru      (1952)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Akira Kurosawa &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/general-1927.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      General (1927)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Clyde Bruckman &amp;amp; Buster Keaton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/night-of-hunter-1955.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Night of the Hunter (1955)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Charles Laughton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/searchers-1956.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Searchers (1956)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. John Ford&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/8-1963.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;8½ (1963)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;      .. Federico Fellini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/city-lights-1931.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;City      Lights (1931)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Charles Chaplin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/bicycle-thieves-1948.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Bicycle      Thieves (1948)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Vittorio De Sica&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/battleship-potemkin-1925.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Battleship      Potemkin (1925)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Sergei M. Eisenstein&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/four-hundred-blows-1959.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Four Hundred Blows (1959)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Franτois Truffaut&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/stalker-1979.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Stalker      (1979)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Andrei Tarkovsky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/bout-de-souffle-1960.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;À      Bout de Souffle (1960)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Jean-Luc Godard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wild-strawberries-1957.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Wild      Strawberries (1957)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/duck-soup-1933.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Duck      Soup (1933)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Leo McCarey&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/third-man-1949.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Third Man (1949)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Carol Reed&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/good-bad-and-ugly-1966.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;La      Dolce Vita (1960)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Federico Fellini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/touch-of-evil-1958.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Touch      of Evil (1958)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Orson Welles&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/do-right-thing-1989.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Do      the Right Thing (1989)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Spike Lee&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/m-1931.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;M (1931)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;      .. Fritz Lang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/vertigo-1958.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Vertigo      (1958)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Alfred Hitchcock&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/in-mood-for-love-2000.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;In      the Mood for Love (2000)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Wong Kar Wai&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/singin-in-rain-1952.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Singin'      in the Rain (1952)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Stanley Donen &amp;amp; Gene Kelly&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/all-about-eve-1950.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;All      About Eve (1950)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Joseph L. Mankiewicz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/double-indemnity-1944.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Double      Indemnity (1944)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Billy Wilder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sunset-boulevard-1950.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Sunset      Boulevard (1950)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Billy Wilder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/apartment-1960.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Apartment (1960)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Billy Wilder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/conversation-1974.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Conversation (1974)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Francis Ford Coppola&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/rashomon-1950.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Rashomon      (1950)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Akira Kurosawa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/seventh-seal-1957.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The      Seventh Seal (1957)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/manhattan-1979.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Manhattan      (1979)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Woody Allen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/modern-times-1936.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Modern      Times (1936)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Charles Chaplin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/barry-lyndon-1975.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Barry      Lyndon (1975)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Stanley Kubrick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/chinatown-1974.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chinatown      (1974)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Roman Polanski&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/citizen-kane-1941.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Citizen      Kane (1941)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Orson Welles&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/annie-hall-1977.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Annie      Hall (1977)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; .. Woody Allen&lt;/span&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6321218951926757521-3251053147354587224?l=1linereview2.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://1linereview2.blogspot.com/feeds/3251053147354587224/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6321218951926757521&amp;postID=3251053147354587224' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default/3251053147354587224'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default/3251053147354587224'/><link rel='alternate' type='text/html' href='http://1linereview2.blogspot.com/2009/11/weighted-list-minimum-20-votes.html' title='Weighted list (20 votes minimum)'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6321218951926757521.post-7213463066751485315</id><published>2009-07-09T09:20:00.001-07:00</published><updated>2010-07-09T10:47:13.156-07:00</updated><title type='text'>Introduction</title><content type='html'>&lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;u&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Aims&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Obviously my main aim, given the project’s title, was to find “The 50 Greatest Films”. But more than that, by expanding the voting from the usual ten titles to 50, I also hoped to freshen up the results a little. My thinking being that there are films that would seldom make any one’s top ten, but would perhaps be almost essential for most people’s top 50s. Surely no list would be complete without a Marx or a &lt;/span&gt;&lt;/span&gt;&lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Laurel&lt;/span&gt;&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:city&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; and Hardy film? I was tempted to stipulate 100 titles, but thought that this may prove too daunting a task and put people off. With hindsight, 100 may have proved a better bet. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;u&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Participants&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: normal; -webkit-text-decorations-in-effect: none;  "&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;I took as democratic an approach as possible to the selection of participants. In an effort to avoid an elitist or populist result, I selected people based on their depth of cinematic knowledge and their commitment to the filmic arts, ignoring thoughts of position or pedigree. As a result, professionals and amateurs sit side by side. I also attempted to select people from as many different cultural backgrounds as possible. Although language barriers have ensured that most participants are from English speaking countries. Never the less, 34 different countries are represented: Argentina, Australia, Brazil, Canada, Columbia, Costa Rica, Denmark, Dominican Republic, Ecuador, England, France, Greece, Hong Kong, India, Iran, Ireland, Israel, Italy, Malaysia, The Netherlands, New Zealand, Norway, Peru, Poland, Portugal, Romania, Scotland, Spain, Sweden, Switzerland, Thailand, Turkey, USA, and Wales. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;As a result of this mix of nationalities, cultural origins, and professional statuses, a total of 3037 different films have been nominated by 187 different cinephiles, with 1745 being unique titles – which means that on average, each individual included somewhere in the region of 9 titles not seen elsewhere (which has led to far too many 100+ hour working weeks for me, but also a great deal of variety within the lists – even if this hasn’t made a great deal of difference to the final top 50.)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;u&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Results&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;They say that doing something over and over again in the same manner yet expecting differing results is a sign of insanity. Now whilst I haven’t undertaken a poll of this type before, I have seen enough to know that the results seldom differ. Yet, I still set out hoping to achieve something that I really should have known not to expect – surprises. But if I’m honest with myself, I never really expected anything other than what we have ended up with. After all, if you ask people to list the 50 greatest films, you can’t really be disappointed when that’s exactly what they do. Well, consensually speaking anyway – because the individual lists themselves are teeming with diversity. And after all, isn’t the real pleasure of these polls derived from perusing the individual lists, rather than from the results. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The only real surprise, and it’s not much of one really, is that &lt;/span&gt;&lt;/span&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/do-right-thing-1989.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Do the Right Thing (1989)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; has made the top 50. But, after all, if you’re going to add a Spike Lee film to your list, which other one would you choose. Whereas, if you’re going to add a Mizoguchi or a Buñuel, the choice is certainly much more difficult, which might explain the absence of both of them from the top 50. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The most recent film to make the top 50 is Tarantino’s &lt;/span&gt;&lt;/span&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pulp-fiction-1994.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Pulp Fiction (1994)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;. Whilst the highest ranked filmed from the 2000s is Lynch’s &lt;/span&gt;&lt;/span&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mulholland-dr-2001.html"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Mulholland Dr. (2001)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, which missed out on the top 50 by just one vote. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The list is, perhaps, a little more US-centric than one might have expected, with 31 American titles making the top 50. The &lt;/span&gt;&lt;/span&gt;&lt;st1:country-region st="on"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;UK&lt;/span&gt;&lt;/span&gt;&lt;/st1:country-region&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; is represented by four films; &lt;/span&gt;&lt;/span&gt;&lt;st1:country-region st="on"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;France&lt;/span&gt;&lt;/span&gt;&lt;/st1:country-region&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, &lt;/span&gt;&lt;/span&gt;&lt;st1:country-region st="on"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Italy&lt;/span&gt;&lt;/span&gt;&lt;/st1:country-region&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;, and &lt;/span&gt;&lt;/span&gt;&lt;st1:country-region st="on"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Japan&lt;/span&gt;&lt;/span&gt;&lt;/st1:country-region&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; by three films each; with &lt;/span&gt;&lt;/span&gt;&lt;st1:country-region st="on"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Germany&lt;/span&gt;&lt;/span&gt;&lt;/st1:country-region&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; and &lt;/span&gt;&lt;/span&gt;&lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Sweden&lt;/span&gt;&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:country-region&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; making up the rest of the list with one mention a piece. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Billy Wilder is the director with the most appearances in the top 50 with four films. Francis Ford Coppola, Alfred Hitchcock, Stanley Kubrick, and Kurosawa  Akira each are represented by 3 films.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The following directors made the top 50 directors list, but were not represented in the top 50 films (testament, perhaps, to the strength in depth of their entire body of work):&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Robert Altman, Luis Buñuel, The Coen Brothers, Sergei M. Eisenstein, Jean-Luc Godard, Howard Hawks, Werner Herzog, John Huston, Krzysztof Kieslowski, Sidney Lumet, David Lynch, Terrence Malick, Mizoguchi Kenji, Michael Powell, Alain Resnais, Steven Spielberg, Andrei Tarkovsky, and François Truffaut.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The following, although fairly well represented throughout the 187 lists, appear neither on the top 50 films nor top 50 directors lists (how Terence Davies doesn’t receive more attention is beyond me): &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Pedro Almodovar, Lindsay Anderson, Michelangelo Antonioni, Hal Ashby, Bernardo Bertolucci, Stan Brakhage, Marcel Carné, John Cassavetes, Henri-Georges Clouzot, Jean Cocteau, David Cronenberg, Terence Davies, Jacques Demy, Clint Eastwood, Atom Egoyan, Victor Erice, Rainer Werner Fassbinder, Milos Forman, Bob Fosse, Georges Franju, Samuel Fuller, D.W. Griffith, Michael Haneke, Hou Hsiao-hsien, Jim Jarmusch, Elia Kazan, Abbas, Kiarostami, Kobayashi Masaki, Mike Leigh, Ken Loach, Ernst Lubitsch, Alexander Mackendrick, Louis Malle, Chris Marker, Jean-Pierre Melville, Vincente Minnelli, Max Ophüls, G.W. Pabst, Pier Paolo Pasolini, Sam Peckinpah, Gillo Pontecorvo, Otto Preminger, Nicholas Ray, Satyajit Ray, Jacques Rivette, Nicolas Roeg, Eric Rohmer, George A. Romero, Roberto Rossellini, John Schlesinger, Douglas Sirk, Preston Sturges, Tarr Béla, Jacques Tati, Teshigahara Hiroshi, Jacques Tourneur, Agnes Varda, Dziga Vertov, King Vidor, Jean Vigo, Luchino Visconti, Josef von Sternberg, Erich von Stroheim, Lars Von Trier, Wim Wenders, James Whale, Wong Kar Wai, William Wyler&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6321218951926757521-7213463066751485315?l=1linereview2.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://1linereview2.blogspot.com/feeds/7213463066751485315/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6321218951926757521&amp;postID=7213463066751485315' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default/7213463066751485315'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default/7213463066751485315'/><link rel='alternate' type='text/html' href='http://1linereview2.blogspot.com/2009/07/introduction.html' title='Introduction'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6321218951926757521.post-6292953966499591701</id><published>2009-07-09T09:11:00.001-07:00</published><updated>2009-11-14T11:54:52.458-08:00</updated><title type='text'>Top 50 Directors</title><content type='html'>&lt;p class="MsoNormal"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;The 50 directors with the most appearances on the various ballots: &lt;/span&gt;&lt;/p&gt;  &lt;ol style="margin-top:0cm" start="1" type="1"&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Alfred Hitchcock&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Stanley&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:city&gt;&lt;span style="      ;font-family:Arial;font-size:10.0pt;"&gt; Kubrick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Francis Ford Coppola&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Orson Welles&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Kurosawa Akira&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Billy Wilder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Martin Scorsese&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;John Ford&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Steven Spielberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Jean Renoir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Federico Fellini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Jean-Luc Godard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Woody Allen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Howard Hawks&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Andrei Tarkovsky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Ozu Yasujiro&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;F.W. Murnau&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;David Lynch&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Robert Altman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Luis Buñuel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Roman Polanski&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;David Lean&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Carl Theodor Dreyer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Charles Chaplin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Fritz Lang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Robert Bresson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Michael Curtiz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Sergio Leone&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;The Coen Brothers&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Quentin Tarantino&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Alain Resnais&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Sergei M. Eisenstein&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Michelangelo Antonioni&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Krzysztof Kieslowski&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Carol Reed&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;François Truffaut&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Michael Powell&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Mizoguchi Kenji&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Buster Keaton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Ridley Scott&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Stanley&lt;/span&gt;&lt;/st1:place&gt;&lt;/st1:city&gt;&lt;span style="      ;font-family:Arial;font-size:10.0pt;"&gt; Donen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;John Huston&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Leo McCarey&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Sidney Lumet&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Vittorio De Sica&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Frank Capra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Victor Fleming&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Werner Herzog&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;Terrence Malick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6321218951926757521-6292953966499591701?l=1linereview2.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://1linereview2.blogspot.com/feeds/6292953966499591701/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6321218951926757521&amp;postID=6292953966499591701' title='18 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default/6292953966499591701'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default/6292953966499591701'/><link rel='alternate' type='text/html' href='http://1linereview2.blogspot.com/2009/07/top-50-directors.html' title='Top 50 Directors'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>18</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6321218951926757521.post-7035212089911554532</id><published>2009-07-09T09:05:00.001-07:00</published><updated>2009-07-19T13:45:10.000-07:00</updated><title type='text'>S-Z</title><content type='html'>&lt;ul style="margin-top:0cm" type="circle"&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sabrina-1954.html"&gt;Sabrina      (1954)&lt;/a&gt;_Billy Wilder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/sacrifice-1986.html"&gt;The      Sacrifice (1986)&lt;/a&gt;_Andrei Tarkovsky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/safe-1995.html"&gt;Safe (1995)&lt;/a&gt;_Todd      Haynes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/safety-last-1923.html"&gt;Safety      Last! (1923)&lt;/a&gt;_Fred Neymeyer &amp;amp; Sam Taylor&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/saint-francis-gods-jester-1950.html"&gt;Saint      Francis, God's Jester (1950)&lt;/a&gt;_Roberto Rossellini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/saladin-1963.html"&gt;Saladin      (1963)&lt;/a&gt;_Youssef Chahine&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/salesman-1968.html"&gt;Salesman      (1968)&lt;/a&gt;_Albert Maysles &amp;amp; David Maysles&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/salo-or-120-days-of-sodom-1975.html"&gt;Salo,      or the 120 Days of Sodom (1975)&lt;/a&gt;_Pier Paolo Pasolini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/salome-1923.html"&gt;Salome      (1923)&lt;/a&gt;_Charles Bryant&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/salt-of-earth-1954.html"&gt;Salt      of the Earth (1954)&lt;/a&gt;_Herbert J. Biberman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/salvador-1986.html"&gt;Salvador      (1986)&lt;/a&gt;_Oliver Stone&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/salvatore-giuliano-1962.html"&gt;Salvatore      Giuliano (1962)&lt;/a&gt;_Francesco Rosi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/samaritan-girl-2004.html"&gt;Samaritan      Girl (2004)&lt;/a&gt;_Kim Ki-duk&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/le-samourai-1967.html"&gt;Le      Samourai (1967)&lt;/a&gt;_Jean-Pierre Melville&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/samurai-i-miyamoto-musashi-1954.html"&gt;Samurai      I - Miyamoto Musashi (1954)&lt;/a&gt;_Hiroshi Inagaki&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/samurai-ii-duel-at-ichijoji-temple-1955.html"&gt;Samurai      II - Duel at Ichijoji Temple (1955)&lt;/a&gt;_Hiroshi Inagaki&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/samurai-iii-duel-at-ganryu-island-1956.html"&gt;Samurai      III - Duel at Ganryu Island (1956)&lt;/a&gt;_Hiroshi Inagaki&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/samurai-rebellion-1967.html"&gt;Samurai      Rebellion (1967)&lt;/a&gt;_Masaki Kobayashi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/samurai-x-trust-betrayal1999.html"&gt;Samurai      X: Trust &amp;amp; Betrayal (1999)&lt;/a&gt;_Kazuhiro Furuhashi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/san-francisco-1936.html"&gt;San      Francisco (1936)&lt;/a&gt;_W.S. Van Dyke&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/sands-of-kalahari-1965.html"&gt;Sands      of the Kalahari (1965)&lt;/a&gt;_Cy Endfield&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sanjuro-1962.html"&gt;Sanjuro      (1962)&lt;/a&gt;_Akira Kurosawa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sans-soleil-1983.html"&gt;Sans      Soleil (1983)&lt;/a&gt;_Chris Marker&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sansho-dayu-1954.html"&gt;Sansho      Dayu (1954)&lt;/a&gt;_Kenji Mizoguchi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/saraband-2003.html"&gt;Saraband      (2003)&lt;/a&gt;_Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/saragossa-manuscript-1965.html"&gt;The      Saragossa Manuscript (1965)&lt;/a&gt;_Wojciech Has&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/satans-brew-1976.html"&gt;Satan's      Brew (1976)&lt;/a&gt;_Rainer Werner Fassbinder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/satantango-1994.html"&gt;Satantango      (1994)&lt;/a&gt;_Bela Tarr&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/satin-slipper-1985.html"&gt;The      Satin Slipper (1985)&lt;/a&gt;_Manoel de Oliveira&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/saturday-night-and-sunday-morning-1960.html"&gt;Saturday      Night and Sunday Morning (1960)&lt;/a&gt;_Karel Reisz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/saturday-night-fever-1977.html"&gt;Saturday      Night Fever (1977)&lt;/a&gt;_John Badham&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/satya1998.html"&gt;Satya (1998)&lt;/a&gt;_Ram      Gopal Varma&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/saugus-series-1974.html"&gt;Saugus      Series (1974)&lt;/a&gt;_Pat O'Neill&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/savage-messiah-1972.html"&gt;Savage      Messiah (1972)&lt;/a&gt;_Ken Russell&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/savage-nights-1992.html"&gt;Savage      Nights (1992)&lt;/a&gt;_Cyril Collard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/save-tiger-1973.html"&gt;Save      the Tiger (1973)&lt;/a&gt;_John G. Avildsen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/saving-private-ryan-1998.html"&gt;Saving      Private Ryan (1998)&lt;/a&gt;_Steven Spielberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/say-anything-1989.html"&gt;Say      Anything... (1989)&lt;/a&gt;_Cameron Crowe&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/scarecrow-1973.html"&gt;Scarecrow      (1973)&lt;/a&gt;_Jerry Schatzberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/scarface-1932.html"&gt;Scarface      (1932)&lt;/a&gt;_Howard Hawks&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/scarface-1983.html"&gt;Scarface      (1983)&lt;/a&gt;_Brian De Palma&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/scarlet-empress-1934.html"&gt;The      Scarlet Empress (1934)&lt;/a&gt;_Josef von Sternberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/scarlet-street-1945.html"&gt;Scarlet      Street (1945)&lt;/a&gt;_Fritz Lang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/scattered-clouds-1967.html"&gt;Scattered      Clouds (1967)&lt;/a&gt;_Mikio Naruse&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/scene-at-sea-1991.html"&gt;A      Scene at the Sea (1991)&lt;/a&gt;_Takeshi Kitano&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/scenes-from-marriage-1973.html"&gt;Scenes      from a Marriage (1973)&lt;/a&gt;_Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/schindlers-list-1993.html"&gt;Schindler's      List (1993)&lt;/a&gt;_Steven Spielberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/schizopolis-1996.html"&gt;Schizopolis      (1996)&lt;/a&gt;_Steven Soderbergh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/schwechater-1958.html"&gt;Schwechater      (1958)&lt;/a&gt;_Peter Kubelka&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/scorpio-rising-1964.html"&gt;Scorpio      Rising (1964)&lt;/a&gt;_Kenneth Anger&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/scream-1996.html"&gt;Scream      (1996)&lt;/a&gt;_Wes Craven&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/scrooge-1951.html"&gt;Scrooge      (1951)&lt;/a&gt;_Brian Desmond Hurst&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/scrubs-2001.html"&gt;Scrubs      (2001-)&lt;/a&gt;_Bill Lawrence&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/scum-1979.html"&gt;Scum (1979)&lt;/a&gt;_Alan      Clarke&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/se7en-1995.html"&gt;Se7en      (1995)&lt;/a&gt;_David Fincher&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/seance-on-wet-afternoon-1964.html"&gt;Seance      on a Wet Afternoon (1964)&lt;/a&gt;_Bryan Forbes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/search-1948.html"&gt;The      Search (1948)&lt;/a&gt;_Fred Zinneman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/searchers-1956.html"&gt;The      Searchers (1956)&lt;/a&gt;_John Ford&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/searching-for-bobby-fischer-1993.html"&gt;Searching      for Bobby Fischer (1993)&lt;/a&gt;_Steven Zaillian&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/seasons-of-year-1975.html"&gt;Seasons      of the Year (1975)&lt;/a&gt;_Artavazd Peleshian&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/seconds-1966.html"&gt;Seconds      (1966)&lt;/a&gt;_John Frankenheimer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/secret-sunshine-2007.html"&gt;Secret      Sunshine (2007)&lt;/a&gt;_Lee Chang-dong&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/secrets-lies-1996.html"&gt;Secrets      &amp;amp; Lies (1996)&lt;/a&gt;_Mike Leigh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/secrets-behind-wall-1965.html"&gt;Secrets      Behind the Wall (1965)&lt;/a&gt;_Kôji Wakamatsu&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/selena-1997.html"&gt;Selena      (1997)&lt;/a&gt;_Gregory Nava&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sense-and-sensibility-1995.html"&gt;Sense      and Sensibility (1995)&lt;/a&gt;_Ang Lee&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/sensitive-skin-2005-2007.html"&gt;Sensitive      Skin (2005-2007)&lt;/a&gt;_Hugo Blick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/senso-1954.html"&gt;Senso      (1954)&lt;/a&gt;_Luchino Visconti&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sentinel-1977.html"&gt;The      Sentinel (1977)&lt;/a&gt;_Michael Winner&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/separate-but-equal-1991.html"&gt;Separate      But Equal (1991)&lt;/a&gt;_George Stevens Jr.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/serene-velocity-1970.html"&gt;Serene      Velocity (1970)&lt;/a&gt;_Ernie Gehr&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/serenity-2005.html"&gt;Serenity      (2005)&lt;/a&gt;_Joss Whedon&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sergeant-rutledge-1960.html"&gt;Sergeant      Rutledge (1960)&lt;/a&gt;_John Ford&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/serial-1980.html"&gt;Serial      (1980)&lt;/a&gt;_Bill Persky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/servant-1963.html"&gt;The      Servant (1963)&lt;/a&gt;_Joseph Losey&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/set-up-1949.html"&gt;The      Set-Up (1949)&lt;/a&gt;_Robert Wise&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/seul-contre-tous-1998.html"&gt;Seul      Contre Tous (1998)&lt;/a&gt;_Gaspar Noé&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/seven-brides-for-seven-brothers-1954.html"&gt;Seven      Brides for Seven Brothers (1954)&lt;/a&gt;_Stanley Donen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/seven-chances-1925.html"&gt;Seven      Chances (1925)&lt;/a&gt;_Buster Keaton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/seven-days-1974.html"&gt;Seven      Days (1974)&lt;/a&gt;_Chris Welsby&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/7-faces-of-dr-lao-1964.html"&gt;7      Faces of Dr. Lao (1964)&lt;/a&gt;_George Pal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/seven-men-from-now-1956.html"&gt;Seven      Men from Now (1956)&lt;/a&gt;_Budd Boetticher&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/seven-samurai-1954.html"&gt;Seven      Samurai (1954)&lt;/a&gt;_Akira Kurosawa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/7-women-1966.html"&gt;7 Women      (1966)&lt;/a&gt;_John Ford&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/seventh-continent-1989.html"&gt;The      Seventh Continent (1989)&lt;/a&gt;_Michael Haneke&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/7th-heaven-1927.html"&gt;7th      Heaven (1927)&lt;/a&gt;_Frank Borzage&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/seventh-seal-1957.html"&gt;The      Seventh Seal (1957)&lt;/a&gt;_Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/seventh-victim-1943.html"&gt;The      Seventh Victim (1943)&lt;/a&gt;_Mark Robson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sex-and-lucia-2001.html"&gt;Sex      and Lucia (2001)&lt;/a&gt;_Julio Medem&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sex-lies-and-videotape-1989.html"&gt;Sex,      Lies and Videotape (1989)&lt;/a&gt;_Steven Soderbergh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sexual-life-of-belgians-19501978-1994.html"&gt;The      Sexual Life of the Belgians 1950–1978 (1994)&lt;/a&gt;_Jan Bucquoy&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/shadow-of-doubt-1943.html"&gt;Shadow      of a Doubt (1943)&lt;/a&gt;_Alfred Hitchcock&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/shadows-1959.html"&gt;Shadows      (1959)&lt;/a&gt;_John Cassavetes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/shakespeare-in-love-1998.html"&gt;Shakespeare      in Love (1998)&lt;/a&gt;_John Madden&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/shall-we-dance-1937.html"&gt;Shall      We Dance (1937)&lt;/a&gt;_Mark Sandrich&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/shallow-grave-1994.html"&gt;Shallow      Grave (1994)&lt;/a&gt;_Danny Boyle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/shame-1968.html"&gt;Shame      (1968)&lt;/a&gt;_Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/shampoo-1975.html"&gt;Shampoo      (1975)&lt;/a&gt;_Hal Ashby&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/shane-1953.html"&gt;Shane      (1953)&lt;/a&gt;_George Stevens&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/shanghai-express-1932.html"&gt;Shanghai      Express (1932)&lt;/a&gt;_Josef von Sternberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/shaolin-soccer-2001.html"&gt;Shaolin      Soccer (2001)&lt;/a&gt;_Stephen Chow&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/shattered-1921.html"&gt;Shattered      (1921)&lt;/a&gt;_Lupu Pick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/shaun-of-dead-2004.html"&gt;Shaun      of the Dead (2004)&lt;/a&gt;_Edgar Wright&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/shawshank-redemption-1994.html"&gt;The      Shawshank Redemption (1994)&lt;/a&gt;_Frank Darabont&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/she-wore-yellow-ribbon-1949.html"&gt;She      Wore a Yellow Ribbon (1949)&lt;/a&gt;_John Ford&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sheltering-sky-1990.html"&gt;The      Sheltering Sky (1990)&lt;/a&gt;_Bernardo Bertolucci&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sherlock-jr-1924.html"&gt;Sherlock,      Jr. (1924)&lt;/a&gt;_Buster Keaton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/shermans-march-1986.html"&gt;Sherman's      March (1986)&lt;/a&gt;_Ross McElwee&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/shes-gotta-have-it-1986.html"&gt;She's      Gotta Have It (1986)&lt;/a&gt;_Spike Lee&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/shin-heike-monogatari-1955.html"&gt;Shin      Heike Monogatari (1955)&lt;/a&gt;_Kenji Mizoguchi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/shining-1980.html"&gt;The      Shining (1980)&lt;/a&gt;_Stanley Kubrick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/shirley-thompson-versus-aliens-1972.html"&gt;Shirley      Thompson Versus the Aliens (1972)&lt;/a&gt;_Jim Sharman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/shivers-1975.html"&gt;Shivers      (1975)&lt;/a&gt;_David Cronenberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/shoah-1985.html"&gt;Shoah      (1985)&lt;/a&gt;_Claude Lanzmann&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/shock-corridor-1963.html"&gt;Shock      Corridor (1963)&lt;/a&gt;_Samuel Fuller&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/shoe-shine-1946.html"&gt;Shoe-Shine      (1946)&lt;/a&gt;_Vittorio De Sica&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sholay-1975.html"&gt;Sholay      (1975)&lt;/a&gt;_Ramesh Sippy&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/shoot-pianist-1960.html"&gt;Shoot      the Pianist (1960)&lt;/a&gt;_François Truffaut&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/shooting-1967.html"&gt;The      Shooting (1967)&lt;/a&gt;_Monte Hellman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/shootist-1976.html"&gt;The      Shootist (1976)&lt;/a&gt;_Don Siegel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/shop-around-corner-1940.html"&gt;The      Shop Around the Corner (1940)&lt;/a&gt;_Ernst Lubitsch&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/shop-on-main-street-1965.html"&gt;The      Shop on Main Street (1965)&lt;/a&gt;_Ján Kadár &amp;amp; Elmar Klos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/short-cuts-1993.html"&gt;Short      Cuts (1993)&lt;/a&gt;_Robert Altman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/short-film-about-killing-1988.html"&gt;A      Short Film about Killing (1988)&lt;/a&gt;_Krzysztof Kieslowski&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/short-film-about-love-1988.html"&gt;A      Short Film About Love (1988)&lt;/a&gt;_Krzysztof Kieslowski&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/shoulder-to-shoulder-1974.html"&gt;Shoulder      to Shoulder (1974)&lt;/a&gt;_Midge MacKenzie&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/show-me-love-1998.html"&gt;Show      Me Love (1998)&lt;/a&gt;_Lukas Moodysson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/showgirls-1995.html"&gt;Showgirls      (1995)&lt;/a&gt;_Paul Verhoeven&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/shura-1971.html"&gt;Shura      (1971)&lt;/a&gt;_Toshio Matsumoto&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sicily-1999.html"&gt;Sicily!      (1999)&lt;/a&gt;_Jean-Marie Straub &amp;amp; Danièle Huillet&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sidewalkshuttle-1992.html"&gt;Side/Walk/Shuttle      (1992)&lt;/a&gt;_Ernie Gehr&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/sideways-2004.html"&gt;Sideways      (2004)&lt;/a&gt;_Alexander Payne&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/signs-2002.html"&gt;Signs      (2002)&lt;/a&gt;_M. Night Shyamalan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/silence-1963.html"&gt;The      Silence (1963)&lt;/a&gt;_Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/silence-1971.html"&gt;Silence      (1971)&lt;/a&gt;_Masahiro Shinoda&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/silence-and-cry-1967.html"&gt;Silence      and Cry (1967)&lt;/a&gt;_Miklós Jancsó&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/le-silence-de-la-mer-1949.html"&gt;Le      Silence de la Mer (1949)&lt;/a&gt;_Jean-Pierre Melville&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/silence-of-lambs-1991.html"&gt;The      Silence of the Lambs (1991)&lt;/a&gt;_Jonathan Demme&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/silent-light-2007.html"&gt;Silent      Light (2007)&lt;/a&gt;_Carlos Reygadas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/silent-village-1943.html"&gt;The      Silent Village (1943)&lt;/a&gt;_Humphrey Jennings&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/silkwood-1983.html"&gt;Silkwood      (1983)&lt;/a&gt;_Mike Nichols&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/silverlake-life-view-from-here-1993.html"&gt;Silverlake      Life: The View From Here (1993)&lt;/a&gt;_Peter Friedman &amp;amp; Tom Joslin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/simon-of-desert-1965.html"&gt;Simon      of the Desert (1965)&lt;/a&gt;_Luis Buñuel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/une-simple-histoire-1959.html"&gt;Une      Simple Histoire (1959)&lt;/a&gt;_Marcel Hanoun&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/simpsons-1989.html"&gt;The      Simpsons (1989-)&lt;/a&gt;_Matt Groening&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/simpsons-movie-2007.html"&gt;The      Simpsons Movie (2007)&lt;/a&gt;_David Silverman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sin-city-2005.html"&gt;Sin      City (2005)&lt;/a&gt;_Robert Rodriguez&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/singin-in-rain-1952.html"&gt;Singin'      in the Rain (1952)&lt;/a&gt;_Stanley Donen &amp;amp; Gene Kelly&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/singing-behind-screens-2003.html"&gt;Singing      Behind Screens (2003)&lt;/a&gt;_Ermanno Olmi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/singing-detective-1986.html"&gt;The      Singing Detective (1986)&lt;/a&gt;_Dennis Potter&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sink-or-swim-1990.html"&gt;Sink      or Swim (1990)&lt;/a&gt;_Su Friedrich&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sir-no-sir-2005.html"&gt;Sir!      No Sir! (2005)&lt;/a&gt;_David Zeiger&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sisters-of-gion-1936.html"&gt;Sisters      of Gion (1936)&lt;/a&gt;_Kenji Mizoguchi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/six-wives-of-henry-viii-1970.html"&gt;The      Six Wives of Henry VIII (1970)&lt;/a&gt;_Naomi Capon &amp;amp; John Glenister&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sixth-sense-1999.html"&gt;The      Sixth Sense (1999)&lt;/a&gt;_M. Night Shyamalan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/sixth-side-of-pentagon-1968.html"&gt;The      Sixth Side of the Pentagon (1968)&lt;/a&gt;_Chris Marker &amp;amp; François      Reichenbach&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/69-1968.html"&gt;69 (1968)&lt;/a&gt;_Robert      Breer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/skeleton-dance-1929.html"&gt;The      Skeleton Dance (1929)&lt;/a&gt;_Walt Disney&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/sky-turns-2004.html"&gt;The      Sky Turns (2004)&lt;/a&gt;_Mercedes Álvarez&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/skyscraper-souls-1932.html"&gt;Skyscraper      Souls (1932)&lt;/a&gt;_Edgar Selwyn&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/slacker-1991.html"&gt;Slacker      (1991)&lt;/a&gt;_Richard Linklater&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/slap-shot-1977.html"&gt;Slap      Shot (1977)&lt;/a&gt;_George Roy Hill&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/sleeper-1973.html"&gt;Sleeper      (1973)&lt;/a&gt;_Woody Allen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/sleeping-beauty-1959.html"&gt;Sleeping      Beauty (1959)&lt;/a&gt;_Clyde Geronimi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/sleepy-eyes-of-death-sword-of-seduction.html"&gt;Sleepy      Eyes of Death: Sword of Seduction (1964)&lt;/a&gt;_Kazuo Ikehiro&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sleuth-1972.html"&gt;Sleuth      (1972)&lt;/a&gt;_Joseph L. Mankiewicz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/slumdog-millionaire-2008.html"&gt;Slumdog      Millionaire (2008)&lt;/a&gt;_Danny Boyle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/small-soldiers-1998.html"&gt;Small      Soldiers (1998)&lt;/a&gt;_Joe Dante&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/smiles-of-summer-night-1955.html"&gt;Smiles      of a Summer Night (1955)&lt;/a&gt;_Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/smilin-through-1941.html"&gt;Smilin'      Through (1941)&lt;/a&gt;_Frank Borzage&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/smiling-lieutenant-1931.html"&gt;The      Smiling Lieutenant (1931)&lt;/a&gt;_Ernst Lubitsch&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/smoke-1995.html"&gt;Smoke      (1995)&lt;/a&gt;_Wayne Wang &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/smokingno-smoking-1993.html"&gt;Smoking/No      Smoking (1993)&lt;/a&gt;_Alain Resnais&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/snakes-and-ladders-1980.html"&gt;Snakes      and Ladders (1980)&lt;/a&gt;_Raoul Ruiz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/snatch-2000.html"&gt;Snatch      (2000)&lt;/a&gt;_Guy Ritchie&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/snow-white-2000.html"&gt;Snow      White (2000)&lt;/a&gt;_João César Monteiro&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/snow-white-and-seven-dwarfs-1937.html"&gt;Snow      White and the Seven Dwarfs (1937)&lt;/a&gt;_David Hand&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/so-i-married-axe-murderer-1993.html"&gt;So      I Married an Axe Murderer (1993)&lt;/a&gt;_Thomas Schlamme&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/soapdish-1991.html"&gt;Soapdish      (1991)&lt;/a&gt;_Michael Hoffman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/sobibor-2001.html"&gt;Sobibor      (2001)&lt;/a&gt;_Claude Lanzmann&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/socrates-1971.html"&gt;Socrates      (1971)&lt;/a&gt;_Roberto Rossellini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sofie-1992.html"&gt;Sofie      (1992)&lt;/a&gt;_Liv Ullmann&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/soft-2007.html"&gt;Soft (2007)&lt;/a&gt;_Simon      Ellis&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/solaris-1972.html"&gt;Solaris      (1972)&lt;/a&gt;_Andrei Tarkovsky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/solaris-2002.html"&gt;Solaris      (2002)&lt;/a&gt;_Steven Soderbergh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/soldier-of-orange-1977.html"&gt;Soldier      of Orange (1977)&lt;/a&gt;_Paul Verhoeven&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/soldiers-daughter-never-cries-1998.html"&gt;A      Soldier's Daughter Never Cries (1998)&lt;/a&gt;_James Ivory&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/solid-gold-cadillac-1956.html"&gt;The      Solid Gold Cadillac (1956)&lt;/a&gt;_Richard Quine&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/some-came-running-1958.html"&gt;Some      Came Running (1958)&lt;/a&gt;_Vincente Minnelli&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/some-like-it-hot-1959.html"&gt;Some      Like It Hot (1959)&lt;/a&gt;_Billy Wilder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/somersault-2004.html"&gt;Somersault      (2004)&lt;/a&gt;_Cate Shortland&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/something-wild-1986.html"&gt;Something      Wild (1986)&lt;/a&gt;_Jonathan Demme&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/son-2002.html"&gt;The Son      (2002)&lt;/a&gt;_The Dardenne Brothers&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/son-of-paleface-1952.html"&gt;Son      of Paleface (1952)&lt;/a&gt;_Frank Tashlin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/sons-room-2002.html"&gt;The      Son’s Room (2001)&lt;/a&gt;_Nanni Moretti&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/sonatine-1993.html"&gt;Sonatine      (1993)&lt;/a&gt;_Takeshi Kitano&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/song-of-air-1987.html"&gt;A      Song of Air (1987)&lt;/a&gt;_Merrilee Bennett&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/song-of-bernadette-1943.html"&gt;The      Song of Bernadette (1943)&lt;/a&gt;_Henry King&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/song-of-south-1946.html"&gt;Song      of the South (1946)&lt;/a&gt;_Harve Foster &amp;amp; Wilfred Jackson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/sons-and-lovers-1960.html"&gt;Sons      and Lovers (1960)&lt;/a&gt;_Jack Cardiff&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sons-of-desert-1933.html"&gt;Sons      of the Desert (1933)&lt;/a&gt;_William A. Seiter&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sons-room-2001.html"&gt;The      Son's Room (2001)&lt;/a&gt;_Nanni Moretti&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/sophies-place-1986.html"&gt;Sophie’s      Place (1986)&lt;/a&gt;_Larry Jordan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/sophies-choice-1982.html"&gt;Sophie's      Choice (1982)&lt;/a&gt;_Alan J. Pakula&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/sophies-place-1986.html"&gt;Sophie's      Place (1986)&lt;/a&gt;_Larry Jordan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/sopranos-1999-2007.html"&gt;The      Sopranos (1999-2007)&lt;/a&gt;_David Chase&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/il-sorpasso-1962.html"&gt;Il      Sorpasso (1962)&lt;/a&gt;_Dino Risi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sorrow-and-pity-1969.html"&gt;The      Sorrow and the Pity (1969)&lt;/a&gt;_Marcel Ophüls&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sorrows-1969.html"&gt;Sorrows      (1969)&lt;/a&gt;_Gregory J. Markopoulos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/le-souffle-au-coeur-1971.html"&gt;Le      Souffle au Coeur (1971)&lt;/a&gt;_Louis Malle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sound-of-music-1965.html"&gt;The      Sound of Music (1965)&lt;/a&gt;_Robert Wise&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/sound-of-mountain-1954.html"&gt;Sound      of the Mountain (1954)&lt;/a&gt;_Naruse Mikio&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sound-1966.html"&gt;Sound??      (1966)&lt;/a&gt;_Dick Fontaine&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/south-pacific-1958.html"&gt;South      Pacific (1958)&lt;/a&gt;_Joshua Logan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/south-park-bigger-longer-uncut-1999.html"&gt;South      Park: Bigger, Longer &amp;amp; Uncut (1999)&lt;/a&gt;_Trey Parker&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/soylent-green-1973.html"&gt;Soylent      Green (1973)&lt;/a&gt;_Richard Fleischer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/spacy-1981.html"&gt;Spacy      (1981)&lt;/a&gt;_Takashi Ito&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/spanish-prisoner-1997.html"&gt;The      Spanish Prisoner (1997)&lt;/a&gt;_David Mamet&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/spartacus-1960.html"&gt;Spartacus      (1960)&lt;/a&gt;_Stanley Kubrick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/special-day-1977.html"&gt;A      Special Day (1977)&lt;/a&gt;_Ettore Scola&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/spellbound-1945.html"&gt;Spellbound      (1945)&lt;/a&gt;_Alfred Hitchcock&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/spellbound-2002.html"&gt;Spellbound      (2002)&lt;/a&gt;_Jeffrey Blitz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/spider-2002.html"&gt;Spider      (2002)&lt;/a&gt;_David Cronenberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/spider-forest-2004.html"&gt;Spider      Forest (2004)&lt;/a&gt;_Song Il-gon&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/spider-man-2-2004.html"&gt;Spider-Man      2 (2004)&lt;/a&gt;_Sam Raimi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/spirit-of-beehive-1973.html"&gt;The      Spirit of the Beehive (1973)&lt;/a&gt;_Victor Erice&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/spirited-away-2001.html"&gt;Spirited      Away (2001)&lt;/a&gt;_Hayao Miyazaki&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/splendor-in-grass-1961.html"&gt;Splendor      in the Grass (1961)&lt;/a&gt;_Elia Kazan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/split-wide-open-1999.html"&gt;Split      Wide Open (1999)&lt;/a&gt;_Dev Benegal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/spring-summer-autumn-winter-and-spring.html"&gt;Spring,      Summer, Autumn, Winter... and Spring (2003)&lt;/a&gt;_Kim Ki-duk&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/spy-who-came-in-from-cold-1965.html"&gt;The      Spy Who Came in from the Cold (1965)&lt;/a&gt;_Martin Ritt&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/spy-who-loved-me-1977.html"&gt;The      Spy Who Loved Me (1977)&lt;/a&gt;_Lewis Gilbert&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/stagecoach-1939.html"&gt;Stagecoach      (1939)&lt;/a&gt;_John Ford&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/stalag-17-1953.html"&gt;Stalag      17 (1953)&lt;/a&gt;_Billy Wilder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/stalker-1979.html"&gt;Stalker      (1979)&lt;/a&gt;_Andrei Tarkovsky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/stand-by-me-1986.html"&gt;Stand      by Me (1986)&lt;/a&gt;_Rob Reiner&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/standard-operating-procedure-2008.html"&gt;Standard      Operating Procedure (2008)&lt;/a&gt;_Errol Morris&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/star-is-born-1937.html"&gt;A      Star Is Born (1937)&lt;/a&gt;_William A. Wellman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/star-is-born-1954.html"&gt;A      Star Is Born (1954)&lt;/a&gt;_George Cukor&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/star-trek-2009.html"&gt;Star      Trek (2009)&lt;/a&gt;_J.J. Abrams&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/star-trek-vi-undiscovered-country-1991.html"&gt;Star      Trek VI: The Undiscovered Country (1991)&lt;/a&gt;_Nicholas Meyer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/star-trek-first-contact-1996.html"&gt;Star      Trek: First Contact (1996)&lt;/a&gt;_Jonathan Frakes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/star-trek-generations-1994.html"&gt;Star      Trek: Generations (1994)&lt;/a&gt;_David Carson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/star-trek-insurrection-1998.html"&gt;Star      Trek: Insurrection (1998)&lt;/a&gt;_Jonathan Frakes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/star-trek-nemesis-2002.html"&gt;Star      Trek: Nemesis (2002)&lt;/a&gt;_Stuart Baird&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/star-trek-wrath-of-khan-1982.html"&gt;Star      Trek: The Wrath of Khan (1982)&lt;/a&gt;_Nicholas Meyer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/star-wars-1977.html"&gt;Star      Wars (1977)&lt;/a&gt;_George Lucas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/star-wars-episode-i-phantom-menace-1999.html"&gt;Star      Wars: Episode I - The Phantom Menace (1999)&lt;/a&gt;_George Lucas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/star-wars-episode-ii-attack-of-clones.html"&gt;Star      Wars: Episode II - Attack of the Clones (2002)&lt;/a&gt;_George Lucas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/star-wars-episode-iii-revenge-of-sith.html"&gt;Star      Wars: Episode III - Revenge of the Sith (2005)&lt;/a&gt;_George Lucas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/stardust-memories-1980.html"&gt;Stardust      Memories (1980)&lt;/a&gt;_Woody Allen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/stars-in-my-crown-1950.html"&gt;Stars      in My Crown (1950)&lt;/a&gt;_Jacques Tourneur&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/station-agent-2003.html"&gt;The      Station Agent (2003)&lt;/a&gt;_Thomas McCarthy&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/stationmasters-wife-1977.html"&gt;The      Stationmaster's Wife (1977)&lt;/a&gt;_Rainer Werner Fassbinder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/les-statues-meurent-aussi-1953.html"&gt;Les      Statues Meurent Aussi (1953)&lt;/a&gt;_Alain Resnais &amp;amp; Chris Marker&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/stavisky-1974.html"&gt;Stavisky      (1974)&lt;/a&gt;_Alain Resnais&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/steamboat-bill-jr-1928.html"&gt;Steamboat      Bill, Jr. (1928)&lt;/a&gt;_Buster Keaton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/steamroller-and-violin-1961.html"&gt;The      Steamroller and the Violin (1961)&lt;/a&gt;_Andrei Tarkovsky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/stepmom-1998.html"&gt;Stepmom      (1998)&lt;/a&gt;_Chris Columbus&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/stevie-2002.html"&gt;Stevie      (2002)&lt;/a&gt;_Steve James&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/still-life-2006.html"&gt;Still      Life (2006)&lt;/a&gt;_Zhang Ke Jia&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sting-1973.html"&gt;The Sting      (1973)&lt;/a&gt;_George Roy Hill&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/stolen-children-1992.html"&gt;Stolen      Children (1992)&lt;/a&gt;_Gianni Amelio &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/stolen-kisses-1968.html"&gt;Stolen      Kisses (1968)&lt;/a&gt;_François Truffaut&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/stone-wedding-1972.html"&gt;The      Stone Wedding (1972)&lt;/a&gt;_Dan Pita &amp;amp; Mircea Veroiu&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/stop-making-sense-1984.html"&gt;Stop      Making Sense (1984)&lt;/a&gt;_Jonathan Demme&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/storm-over-asia-1928.html"&gt;Storm      Over Asia (1928)&lt;/a&gt;_Vsevolod Pudovkin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/stormy-weather-2003.html"&gt;Stormy      Weather (2003)&lt;/a&gt;_Sólveig Anspach&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/story-of-qiu-ju-1992.html"&gt;The      Story of Qiu Ju (1992)&lt;/a&gt;_Zhang Yimou&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/story-of-last-chrysanthemums-1939.html"&gt;The      Story of the Last Chrysanthemums (1939)&lt;/a&gt;_Kenji Mizoguchi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/la-strada-1954.html"&gt;La      Strada (1954)&lt;/a&gt;_Federico Fellini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/straight-story-1999.html"&gt;The      Straight Story (1999)&lt;/a&gt;_David Lynch&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/straight-to-hell-1987.html"&gt;Straight      to Hell (1987)&lt;/a&gt;_Alex Cox&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/stranger-1946.html"&gt;The      Stranger (1946)&lt;/a&gt;_Orson Welles&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/stranger-than-paradise-1984.html"&gt;Stranger      Than Paradise (1984)&lt;/a&gt;_Jim Jarmusch&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/strangers-on-train-1951.html"&gt;Strangers      on a Train (1951)&lt;/a&gt;_Alfred Hitchcock&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/strangers-when-we-meet-1960.html"&gt;Strangers      When We Meet (1960)&lt;/a&gt;_Richard Quine&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/straw-dogs-1971.html"&gt;Straw      Dogs (1971)&lt;/a&gt;_Sam Peckinpah&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/strawberry-blonde-1941.html"&gt;The      Strawberry Blonde (1941)&lt;/a&gt;_Raoul Walsh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/stray-dog-1949.html"&gt;Stray      Dog (1949)&lt;/a&gt;_Akira Kurosawa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/street-of-crocodiles-1986.html"&gt;Street      of Crocodiles (1986)&lt;/a&gt;_The Quay Brothers&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/street-of-shame-1956.html"&gt;Street      of Shame (1956)&lt;/a&gt;_Kenji Mizoguchi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/street-trash-1985.html"&gt;Street      Trash (1985)&lt;/a&gt;_Jim Muro &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/streetcar-named-desire-1951.html"&gt;A      Streetcar Named Desire (1951)&lt;/a&gt;_Elia Kazan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/strike-1925.html"&gt;Strike      (1925)&lt;/a&gt;_Sergei M. Eisenstein&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/stromboli-1950.html"&gt;Stromboli      (1950)&lt;/a&gt;_Roberto Rossellini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/stroszek-1977.html"&gt;Stroszek      (1977)&lt;/a&gt;_Werner Herzog&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/struggle-1931.html"&gt;The      Struggle (1931)&lt;/a&gt;_D.W. Griffith&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/student-prince-1927.html"&gt;The      Student Prince (1927)&lt;/a&gt;_Ernst Lubitsch&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/stunt-man-1980.html"&gt;The      Stunt Man (1980)&lt;/a&gt;_Richard Rush&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/suburbia-1984.html"&gt;Suburbia      (1984)&lt;/a&gt;_Penelope Spheeris&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/such-good-friends-1971.html"&gt;Such      Good Friends (1971)&lt;/a&gt;_Otto Preminger&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/sugarland-express-1974.html"&gt;The      Sugarland Express (1974)&lt;/a&gt;_Steven Spielberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/suicide-club-2002.html"&gt;Suicide      Club (2002)&lt;/a&gt;_Sion Sono&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sullivans-travels-1941.html"&gt;Sullivan's      Travels (1941)&lt;/a&gt;_Preston Sturges&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/summer-interlude-1951.html"&gt;Summer      Interlude (1951)&lt;/a&gt;_Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/summer-of-sam-1999.html"&gt;Summer      of Sam (1999)&lt;/a&gt;_Spike Lee&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/summers-tale-1996.html"&gt;A      Summer's Tale (1996)&lt;/a&gt;_Eric Rohmer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/summertime-1955.html"&gt;Summertime      (1955)&lt;/a&gt;_David Lean&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/sumo-do-sumo-dont-1992.html"&gt;Sumo      Do, Sumo Don't (1992)&lt;/a&gt;_Masayuki Suo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sunday-bloody-sunday-1971.html"&gt;Sunday      Bloody Sunday (1971)&lt;/a&gt;_John Schlesinger&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sundays-and-cybele-1962.html"&gt;Sundays      and Cybele (1962)&lt;/a&gt;_Serge Bourgignon&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sunrise-1927.html"&gt;Sunrise      (1927)&lt;/a&gt;_F.W. Murnau&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sunset-boulevard-1950.html"&gt;Sunset      Boulevard (1950)&lt;/a&gt;_Billy Wilder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sunshine-2007.html"&gt;Sunshine      (2007)&lt;/a&gt;_Danny Boyle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/sunshine-boys-1975.html"&gt;The      Sunshine Boys (1975)&lt;/a&gt;_Herbert Ross&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/super-troopers-2001.html"&gt;Super      Troopers (2001)&lt;/a&gt;_Jay Chandrasekhar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/superfly.html"&gt;Superfly&lt;/a&gt;_&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/superman-1978.html"&gt;Superman      (1978)&lt;/a&gt;_Richard Donner&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/supervixens-1975.html"&gt;Supervixens      (1975)&lt;/a&gt;_Russ Meyer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/el-sur-1983.html"&gt;El Sur      (1983)&lt;/a&gt;_Victor Erice&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/surviving-desire-1991.html"&gt;Surviving      Desire (1991)&lt;/a&gt;_Hal Hartley&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/survivors-1979.html"&gt;The      Survivors (1979)&lt;/a&gt;_Tomás Gutiérrez Alea&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/susan-slade-1961.html"&gt;Susan      Slade (1961)&lt;/a&gt;_Delmer Daves&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/suspense-1913.html"&gt;Suspense      (1913)&lt;/a&gt;_Lois Weber&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/suspicion-1941.html"&gt;Suspicion      (1941)&lt;/a&gt;_Alfred Hitchcock&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/suspiria-1977.html"&gt;Suspiria      (1977)&lt;/a&gt;_Dario Argento&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/suture-1993.html"&gt;Suture      (1993)&lt;/a&gt;_Scott McGehee &amp;amp; David Siegel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/swedish-love-story-1970.html"&gt;A      Swedish Love Story (1970)&lt;/a&gt;_Roy Andersson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sweet-hereafter-1997.html"&gt;The      Sweet Hereafter (1997)&lt;/a&gt;_Atom Egoyan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sweet-movie-1974.html"&gt;Sweet      Movie (1974)&lt;/a&gt;_Dusan Makavajev&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sweet-smell-of-success-1957.html"&gt;Sweet      Smell of Success (1957)&lt;/a&gt;_Alexander Mackendrick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/sweet-sweetbacks-baadasssss-song-1971.html"&gt;Sweet      Sweetback's Baadasssss Song (1971)&lt;/a&gt;_Melvin Van Peebles&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/swimmer-1968.html"&gt;The      Swimmer (1968)&lt;/a&gt;_Frank Perry&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/swing-time-1936.html"&gt;Swing      Time (1936)&lt;/a&gt;_George Stevens&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/swingers-1996.html"&gt;Swingers      (1996)&lt;/a&gt;_Doug Liman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/swiss-army-knife-with-rats-and-pigeons.html"&gt;Swiss      Army Knife with Rats and Pigeons (1980)&lt;/a&gt;_Robert Breer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/sword-of-stranger2007.html"&gt;Sword      of the Stranger (2007)&lt;/a&gt;_Masahiro Andô&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/sympathy-for-lady-vengeance-2005.html"&gt;Sympathy      for Lady Vengeance (2005)&lt;/a&gt;_Park Chan-wook&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/sympathy-for-devil-1968.html"&gt;Sympathy      for the Devil (1968)&lt;/a&gt;_Jean-Luc Godard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/syndromes-and-century-2006.html"&gt;Syndromes      and a Century (2006)&lt;/a&gt;_Apichatpong Weerasethakul&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/synecdoche-new-york-2008.html"&gt;Synecdoche,      New York (2008)&lt;/a&gt;_Charlie Kaufman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/tabu-1931.html"&gt;Tabu (1931)&lt;/a&gt;_F.W.      Murnau&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/take-care-of-my-cat-2001.html"&gt;Take      Care of My Cat (2001)&lt;/a&gt;_Jeong Jae-eun&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/take-care-of-your-scarf-tatiana-1994.html"&gt;Take      Care of Your Scarf, Tatiana (1994)&lt;/a&gt;_Aki Kaurismäki&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/take-510-to-dreamland-1977.html"&gt;Take      the 5:10 to Dreamland (1977)&lt;/a&gt;_Bruce Conner&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/taking-of-pelham-one-two-three-1974.html"&gt;The      Taking of Pelham One Two Three (1974)&lt;/a&gt;_Joseph Sargent&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/taking-off-1971.html"&gt;Taking      Off (1971)&lt;/a&gt;_Milos Forman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/tale-of-springtime-1990.html"&gt;A      Tale of Springtime (1990)&lt;/a&gt;_Eric Rohmer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/tale-of-tales-1979.html"&gt;Tale      of Tales (1979)&lt;/a&gt;_Yuri Norstein&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/talented-mr-ripley-1999.html"&gt;The      Talented Mr. Ripley (1999)&lt;/a&gt;_Anthony Minghella&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/tales-of-street-corner-1962.html"&gt;Tales      of a Street Corner (1962)&lt;/a&gt;_Osamu Tezuka&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/tales-of-hoffmann-1951.html"&gt;The      Tales of Hoffmann (1951)&lt;/a&gt;_Michael Powell &amp;amp; Emeric Pressburger&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/talk-to-her-2002.html"&gt;Talk      to Her (2002)&lt;/a&gt;_Pedro Almodóvar&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/tall-t-1957.html"&gt;The Tall      T (1957)&lt;/a&gt;_Budd Boetticher&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/talladega-nights-ballad-of-ricky-bobby.html"&gt;Talladega      Nights: The Ballad of Ricky Bobby (2006)&lt;/a&gt;_Adam McKay&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/tampopo-1985.html"&gt;Tampopo      (1985)&lt;/a&gt;_Juzo Itami&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/tarnished-angels-1958.html"&gt;The      Tarnished Angels (1958)&lt;/a&gt;_Douglas Sirk&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/taste-of-cherry-1997.html"&gt;A      Taste of Cherry (1997)&lt;/a&gt;_Abbas Kiarostami &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/taste-of-honey-1961.html"&gt;A      Taste of Honey (1961)&lt;/a&gt;_Tony Richardson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/taste-of-tea-2004.html"&gt;The      Taste of Tea (2004)&lt;/a&gt;_Katsuhito Ishii&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/taxi-driver-1976.html"&gt;Taxi      Driver (1976)&lt;/a&gt;_Martin Scorsese&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/team-america-world-police-2004.html"&gt;Team      America: World Police (2004)&lt;/a&gt;_Trey Parker&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/tell-me-that-you-love-me-junie-moon.html"&gt;Tell      Me That You Love Me, Junie Moon (1970)&lt;/a&gt;_Otto Preminger&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/tell-no-one-2006.html"&gt;Tell      No One (2006)&lt;/a&gt;_Guillaume Canet&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/tell-them-willie-boy-is-here-1969.html"&gt;Tell      Them Willie Boy Is Here (1969)&lt;/a&gt;_Abraham Polonsky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/tempest-1982.html"&gt;Tempest      (1982)&lt;/a&gt;_Paul Mazursky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/le-tempestaire-1947.html"&gt;Le      Tempestaire (1947)&lt;/a&gt;_Jean Epstein&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/ten-2002.html"&gt;Ten (2002)&lt;/a&gt;_Abbas      Kiarostami&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/ten-commandments-1956.html"&gt;The      Ten Commandments (1956)&lt;/a&gt;_Cecil B. DeMille&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/ten-steps-2004.html"&gt;The      Ten Steps (2004)&lt;/a&gt;_Brendan Muldowney&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/10-things-i-hate-about-you-1999.html"&gt;10      Things I Hate About You (1999)&lt;/a&gt;_Gil Junger&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/tenant-1976.html"&gt;The      Tenant (1976)&lt;/a&gt;_Roman Polanski&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/tender-mercies-1983.html"&gt;Tender      Mercies (1983)&lt;/a&gt;_Bruce Beresford&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/tenebrae-1982.html"&gt;Tenebrae      (1982)&lt;/a&gt;_Dario Argento&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/terence-davies-trilogy-1984.html"&gt;The      Terence Davies Trilogy (1984)&lt;/a&gt;_Terence Davies&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/terminator-1984.html"&gt;The      Terminator (1984)&lt;/a&gt;_James Cameron&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/terminator-2-judgment-day-1991.html"&gt;Terminator      2: Judgment Day (1991)&lt;/a&gt;_James Cameron&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/terms-of-endearment-1983.html"&gt;Terms      of Endearment (1983)&lt;/a&gt;_James L. Brooks&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/la-terra-trema-1948.html"&gt;La      Terra Trema (1948)&lt;/a&gt;_Luchino Visconti&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/terrorist-1999.html"&gt;The      Terrorist (1999)&lt;/a&gt;_Santosh Sivan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/tesis-1996.html"&gt;Tesis      (1996)&lt;/a&gt;_Alejandro Amenábar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/testament-1988.html"&gt;Testament      (1988)&lt;/a&gt;_John Akomfrah&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/le-testament-du-docteur-cordelier-1959.html"&gt;Le      Testament du Docteur Cordelier (1959)&lt;/a&gt;_Jean Renoir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/tetsuo-iron-man-1989.html"&gt;Tetsuo:      the Iron Man (1989)&lt;/a&gt;_Shinya Tsukamoto&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/texas-chain-saw-massacre-1974.html"&gt;The      Texas Chain Saw Massacre (1974)&lt;/a&gt;_Tobe Hooper&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/that-man-from-rio-1964.html"&gt;That      Man from Rio (1964)&lt;/a&gt;_Philippe de Broca&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/that-obscure-object-of-desire-1977.html"&gt;That      Obscure Object of Desire (1977)&lt;/a&gt;_Luis Buñuel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/thelma-louise-1991.html"&gt;Thelma      &amp;amp; Louise (1991)&lt;/a&gt;_Ridley Scott&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/them-1954.html"&gt;Them! (1954)&lt;/a&gt;_Gordon      Douglas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/theorem-1968.html"&gt;Theorem      (1968)&lt;/a&gt;_Pier Paolo Pasolini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/there-was-father-1942.html"&gt;There      Was a Father (1942)&lt;/a&gt;_Yasujiro Ozu&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/there-will-be-blood-2007.html"&gt;There      Will Be Blood (2007)&lt;/a&gt;_Paul Thomas Anderson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/therese-1986.html"&gt;Therese      (1986)&lt;/a&gt;_Alain Cavalier &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/therese-raquin-1953.html"&gt;Thérèse      Raquin (1953)&lt;/a&gt;_Marcel Carné&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/these-thousand-hills-1959.html"&gt;These      Thousand Hills (1959)&lt;/a&gt;_Richard Fleischer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/they-died-with-their-boots-on-1941.html"&gt;They      Died with Their Boots On (1941)&lt;/a&gt;_Raoul Walsh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/they-live-by-night-1948.html"&gt;They      Live by Night (1948)&lt;/a&gt;_Nicholas Ray&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/they-live-1988.html"&gt;They      Live! (1988)&lt;/a&gt;_John Carpenter&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/they-shoot-horses-dont-they-1969.html"&gt;They      Shoot Horses, Don't They? (1969)&lt;/a&gt;_Sydney Pollack&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/thief-and-cobbler-1993.html"&gt;The      Thief and the Cobbler (1993)&lt;/a&gt;_Richard Williams&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/thieves-highway-1949.html"&gt;Thieves'      Highway (1949)&lt;/a&gt;_Jules Dassin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/thieves-like-us-1974.html"&gt;Thieves      Like Us (1974)&lt;/a&gt;_Robert Altman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/thin-blue-line-1988.html"&gt;The      Thin Blue Line (1988)&lt;/a&gt;_Errol Morris&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/thin-man-1934.html"&gt;The      Thin Man (1934)&lt;/a&gt;_W.S. Van Dyke&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/thin-red-line-1998.html"&gt;The      Thin Red Line (1998)&lt;/a&gt;_Terrence Malick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/thing-1982.html"&gt;The Thing      (1982)&lt;/a&gt;_John Carpenter&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/thing-called-love-1993.html"&gt;The      Thing Called Love (1993)&lt;/a&gt;_Peter Bogdanovich&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/thing-from-another-world-1951.html"&gt;The      Thing from Another World (1951)&lt;/a&gt;_Christian Nyby&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/third-man-1949.html"&gt;The      Third Man (1949)&lt;/a&gt;_Carol Reed&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/thirteen-assassins-1963.html"&gt;The      Thirteen Assassins (1963)&lt;/a&gt;_Eiichi Kudo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/39-steps-1935.html"&gt;The 39      Steps (1935)&lt;/a&gt;_Alfred Hitchcock&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/36-quai-des-orfevres-2004.html"&gt;36      Quai des Orfèvres (2004)&lt;/a&gt;_Olivier Marchal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/thirty-two-short-films-about-glenn.html"&gt;Thirty      Two Short Films About Glenn Gould (1993)&lt;/a&gt;_François Girard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/this-happy-breed-1944.html"&gt;This      Happy Breed (1944)&lt;/a&gt;_David Lean&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/this-is-spinal-tap-1984.html"&gt;This      Is Spinal Tap (1984)&lt;/a&gt;_Rob Reiner&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/this-night-i-will-possess-your-corpse.html"&gt;This      Night I Will Possess Your Corpse (1967)&lt;/a&gt;_José Mojica Marins&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/this-sporting-life-1963.html"&gt;This      Sporting Life (1963)&lt;/a&gt;_Lindsay Anderson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/thousand-eyes-of-dr-mabuse-1960.html"&gt;The      Thousand Eyes of Dr. Mabuse (1960)&lt;/a&gt;_Fritz Lang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/three-colours-blue-1993.html"&gt;Three      Colours: Blue (1993)&lt;/a&gt;_Krzysztof Kieslowski&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/three-colours-red-1994.html"&gt;Three      Colours: Red (1994)&lt;/a&gt;_Krzysztof Kieslowski&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/three-colours-white-1994.html"&gt;Three      Colours: White (1994)&lt;/a&gt;_Krzysztof Kieslowski&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/three-days-of-condor-1975.html"&gt;Three      Days of the Condor (1975)&lt;/a&gt;_Sydney Pollack&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/300-2006.html"&gt;300 (2006)&lt;/a&gt;_Zack      Snyder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/three-kings-1999.html"&gt;Three      Kings (1999)&lt;/a&gt;_David O. Russell&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/three-sided-mirror-1927.html"&gt;The      Three Sided Mirror (1927)&lt;/a&gt;_Jean Epstein&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/three-sisters-with-maiden-hearts-1935.html"&gt;Three      Sisters With Maiden Hearts (1935)&lt;/a&gt;_Mikio Naruse&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/310-to-yuma-1957.html"&gt;3:10      to Yuma (1957)&lt;/a&gt;_Delmer Daves&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/three-times-2005.html"&gt;Three      Times (2005)&lt;/a&gt;_Hou Hsiao-hsien&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/3-women-1977.html"&gt;3 Women      (1977)&lt;/a&gt;_Robert Altman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/3-iron-2004.html"&gt;3-Iron      (2004)&lt;/a&gt;_Kim Ki-duk&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/throne-of-blood-1957.html"&gt;Throne      of Blood (1957)&lt;/a&gt;_Akira Kurosawa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/through-glass-darkly-1961.html"&gt;Through      a Glass Darkly (1961)&lt;/a&gt;_Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/through-olive-trees-1994.html"&gt;Through      the Olive Trees (1994)&lt;/a&gt;_Abbas Kiarostami&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/throw-down-2004.html"&gt;Throw      Down (2004)&lt;/a&gt;_Johnnie To&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/thunderbolt-1929.html"&gt;Thunderbolt      (1929)&lt;/a&gt;_Josef von Sternberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/thundercrack-1975.html"&gt;Thundercrack!      (1975)&lt;/a&gt;_Curt McDowell&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/thx-1138-1971.html"&gt;THX-1138      (1971)&lt;/a&gt;_George Lucas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/tiger-of-eschnapur-1959.html"&gt;The      Tiger of Eschnapur (1959)&lt;/a&gt;_Fritz Lang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/tih-minh-1918.html"&gt;Tih      Minh (1918)&lt;/a&gt;_Louis Feuillade&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/tillie-and-gus-1933.html"&gt;Tillie      and Gus (1933)&lt;/a&gt;_Francis Martin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/time-2006.html"&gt;Time (2006)&lt;/a&gt;_Kim      Ki-duk&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/time-bandits-1981.html"&gt;Time      Bandits (1981)&lt;/a&gt;_Terry Gilliam&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/time-machine-1960.html"&gt;The      Time Machine (1960)&lt;/a&gt;_George Pal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/time-of-gypsies-1988.html"&gt;Time      of the Gypsies (1988)&lt;/a&gt;_Emir Kusturica&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/time-out-2001.html"&gt;Time      Out (2001)&lt;/a&gt;_Laurent Cantet&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/time-to-leave-2005.html"&gt;Time      to Leave (2005)&lt;/a&gt;_François Ozon&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/time-to-live-and-time-to-die-1963.html"&gt;A      Time to Live and a Time to Die (1963)&lt;/a&gt;_Louis Malle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/time-to-live-and-time-to-die-1985.html"&gt;The      Time to Live and the Time to Die (1985)&lt;/a&gt;_Hsiao-hsien Hou&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/time-to-love-1965.html"&gt;Time      to Love (1965)&lt;/a&gt;_Metin Erksan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/time-to-love-and-time-to-die-1958.html"&gt;A      Time to Love and a Time to Die (1958)&lt;/a&gt;_Douglas Sirk&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/tin-drum-1979.html"&gt;The Tin      Drum (1979)&lt;/a&gt;_Volker Schlöndorff&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/tit-for-tat-1935.html"&gt;Tit      for Tat (1935)&lt;/a&gt;_Charley Rogers&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/titanic-1953.html"&gt;Titanic      (1953)&lt;/a&gt;_Jean Negulesco&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/titanic-1997.html"&gt;Titanic      (1997)&lt;/a&gt;_James Cameron&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/titfield-thunderbolt-1953.html"&gt;The      Titfield Thunderbolt (1953)&lt;/a&gt;_Charles Crichton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/to-be-or-not-to-be-1942.html"&gt;To      Be or Not to Be (1942)&lt;/a&gt;_Ernst Lubitsch&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/to-die-for-1995.html"&gt;To      Die For (1995)&lt;/a&gt;_Gus Van Sant&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/to-have-and-have-not-1944.html"&gt;To      Have and Have Not (1944)&lt;/a&gt;_Howard Hawks&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/to-kill-mockingbird-1962.html"&gt;To      Kill a Mockingbird (1962)&lt;/a&gt;_Robert Mulligan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/to-live-1994.html"&gt;To Live      (1994)&lt;/a&gt;_Zhang Yimou&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/to-our-loves-1983.html"&gt;To      Our Loves (1983)&lt;/a&gt;_Maurice Pialat&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/to-sleep-with-anger-1990.html"&gt;To      Sleep with Anger (1990)&lt;/a&gt;_Charles Burnett&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/tobacco-road-1941.html"&gt;Tobacco      Road (1941)&lt;/a&gt;_John Ford&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/todas-as-mulheres-do-mundo-1967.html"&gt;Todas      as Mulheres do Mundo (1967)&lt;/a&gt;_Domingos de Oliveira&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/together-2000.html"&gt;Together      (2000)&lt;/a&gt;_Lukas Moodysson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/tokyo-drifter-1967.html"&gt;Tokyo      Drifter (1966)&lt;/a&gt;_Seijun Suzuki&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/tokyo-story-1953.html"&gt;Tokyo      Story (1953)&lt;/a&gt;_Yasujiro Ozu &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/tom-jones-1963.html"&gt;Tom      Jones (1963)&lt;/a&gt;_Tony Richardson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/tomb-of-ligeia-1964.html"&gt;The      Tomb of Ligeia (1964)&lt;/a&gt;_Roger Corman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/tommy-1975.html"&gt;Tommy      (1975)&lt;/a&gt;_Ken Russell&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/tomorrow-ill-be-scalding-myself-with.html"&gt;Tomorrow      I’ll Be Scalding Myself With Tea (1977)&lt;/a&gt;_Jindrich Polák&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/too-early-too-late-1982.html"&gt;Too      Early, Too Late (1982)&lt;/a&gt;_Jean-Marie Straub &amp;amp; Daniele Huillet&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/too-late-hero-1970.html"&gt;Too      Late the Hero (1970)&lt;/a&gt;_Robert Aldrich&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/tootsie-1982.html"&gt;Tootsie      (1982)&lt;/a&gt;_Sydney Pollack&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/top-gun-1986.html"&gt;Top Gun      (1986)&lt;/a&gt;_Tony Scott&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/top-hat-1935.html"&gt;Top Hat      (1935)&lt;/a&gt;_Mark Sandrich&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/el-topo-1970.html"&gt;El Topo      (1970)&lt;/a&gt;_Alejandro Jodorowsky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/topsy-turvy-1999.html"&gt;Topsy      Turvy (1999)&lt;/a&gt;_Mike Leigh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/total-recall-1990.html"&gt;Total      Recall (1990)&lt;/a&gt;_Paul Verhoeven&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/toto-hero-1991.html"&gt;Toto      the Hero (1991)&lt;/a&gt;_Jaco van Dormael&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/touch-of-evil-1958.html"&gt;Touch      of Evil (1958)&lt;/a&gt;_Orson Welles&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/touch-of-zen-1969.html"&gt;A      Touch of Zen (1969)&lt;/a&gt;_King Hu&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/touching-void-2003.html"&gt;Touching      the Void (2003)&lt;/a&gt;_Kevin Macdonald&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/touki-bouki-1973.html"&gt;Touki      Bouki (1973)&lt;/a&gt;_Djibril Diop Mambéty&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/tout-va-bien-1972.html"&gt;Tout      Va Bien (1972)&lt;/a&gt;_Jean-Luc Godard &amp;amp; Jean-Pierre Gorin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/toute-une-nuit-1980.html"&gt;Toute      une Nuit (1982)&lt;/a&gt;_Chantal Akerman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/toy-story-1995.html"&gt;Toy      Story (1995)&lt;/a&gt;_John Lasseter&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/toy-story-2-1999.html"&gt;Toy      Story 2 (1999)&lt;/a&gt;_John Lasseter&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/trading-places-1983.html"&gt;Trading      Places (1983)&lt;/a&gt;_John Landis&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/trainspotting-1996.html"&gt;Trainspotting      (1996)&lt;/a&gt;_Danny Boyle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/tramp-tramp-tramp-1926.html"&gt;Tramp,      Tramp, Tramp (1926)&lt;/a&gt;_Harry Edwards&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/trancers-1985.html"&gt;Trancers      (1985)&lt;/a&gt;_Charles Band&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/trans-europ-express-1966.html"&gt;Trans-Europ-Express      (1966)&lt;/a&gt;_Alain Robbe-Grillet&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/tras-os-montes-1976.html"&gt;Trás-os-Montes      (1976)&lt;/a&gt;_Margarida Cordeiro &amp;amp; António Reis&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/travelling-players-1975.html"&gt;The      Travelling Players (1975)&lt;/a&gt;_Theo Angelopoulos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/treasure-of-sierra-madre-1948.html"&gt;The      Treasure of the Sierra Madre (1948)&lt;/a&gt;_John Huston&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/tree-grows-in-brooklyn-1945.html"&gt;A      Tree Grows in Brooklyn (1945)&lt;/a&gt;_Elia Kazan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/tree-of-desire-1976.html"&gt;The      Tree of Desire (1976)&lt;/a&gt;_Tengiz Abuladze&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/tree-of-knowledge-1981.html"&gt;The      Tree of Knowledge (1981)&lt;/a&gt;_Nils Malmros&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/tree-of-wooden-clogs-1978.html"&gt;The      Tree of Wooden Clogs (1978)&lt;/a&gt;_Ermanno Olmi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/trees-lounge-1996.html"&gt;Trees      Lounge (1996)&lt;/a&gt;_Steve Buscemi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/trial-1962.html"&gt;The Trial      (1962)&lt;/a&gt;_Orson Welles&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/tribal-eye-1975.html"&gt;The      Tribal Eye (1975)&lt;/a&gt;_David Attenborough&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/tribulation-99-1992.html"&gt;Tribulation      99 (1992)&lt;/a&gt;_Craig Baldwin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/trilogy-weeping-meadow-2004.html"&gt;Trilogy:      The Weeping Meadow (2004)&lt;/a&gt;_Theo Angelopoulos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/trip-to-bountiful-1985.html"&gt;The      Trip to Bountiful (1985)&lt;/a&gt;_Peter Masterson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/trip-to-moon-1902.html"&gt;A      Trip to the Moon (1902)&lt;/a&gt;_Georges Méliès&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/triumph-of-will-1935.html"&gt;Triumph      of the Will (1935)&lt;/a&gt;_Leni Riefenstahl&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/tropical-malady-2004.html"&gt;Tropical      Malady (2004)&lt;/a&gt;_Apichatpong Weerasethakul&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/trouble-every-day-2001.html"&gt;Trouble      Every Day (2001)&lt;/a&gt;_Claire Denis&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/trouble-in-mind-1985.html"&gt;Trouble      in Mind (1985)&lt;/a&gt;_Alan Rudolph&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/trouble-in-paradise-1932.html"&gt;Trouble      in Paradise (1932)&lt;/a&gt;_Ernst Lubitsch&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/trouble-with-harry-1955.html"&gt;The      Trouble with Harry (1955)&lt;/a&gt;_Alfred Hitchcock&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/true-confessions-1981.html"&gt;True      Confessions (1981)&lt;/a&gt;_Ulu Grosbard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/true-heart-susie-1919.html"&gt;True      Heart Susie (1919)&lt;/a&gt;_D.W. Griffith&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/true-romance-1993.html"&gt;True      Romance (1993)&lt;/a&gt;_Tony Scott&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/truly-madly-deeply-1990.html"&gt;Truly      Madly Deeply (1990)&lt;/a&gt;_Anthony Minghella&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/truman-show-1998.html"&gt;The      Truman Show (1998)&lt;/a&gt;_Peter Weir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/trust-1990.html"&gt;Trust      (1990)&lt;/a&gt;_Hal Hartley&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/try-and-get-me-1950.html"&gt;Try      and Get Me! (1950)&lt;/a&gt;_Cy Endfield&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/tuner-2004.html"&gt;The Tuner      (2004)&lt;/a&gt;_&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/turtle-diary-1985.html"&gt;Turtle      Diary (1985)&lt;/a&gt;_John Irvin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/turtles-can-fly-2004.html"&gt;Turtles      Can Fly (2004)&lt;/a&gt;_Bahman Ghobadi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/12-angry-men-1957.html"&gt;12      Angry Men (1957)&lt;/a&gt;_Sidney Lumet&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/twelve-monkeys-1995.html"&gt;Twelve      Monkeys (1995)&lt;/a&gt;_Terry Gilliam&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/twelve-oclock-high-1949.html"&gt;Twelve      O'Clock High (1949)&lt;/a&gt;_Henry King&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/twentieth-century-1934.html"&gt;Twentieth      Century (1934)&lt;/a&gt;_Howard Hawks&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/28-days-later-2002.html"&gt;28      Days Later... (2002)&lt;/a&gt;_Danny Boyle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/25th-hour-2002.html"&gt;25th      Hour (2002)&lt;/a&gt;_Spike Lee&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/2046-2004.html"&gt;2046 (2004)&lt;/a&gt;_Wong      Kar Wai&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/21-87-1964.html"&gt;21-87      (1964)&lt;/a&gt;_Arthur Lipsett&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/twenty-four-eyes-1954.html"&gt;Twenty-Four      Eyes (1954)&lt;/a&gt;_Keisuke Kinoshita&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/twentynine-palms-2003.html"&gt;Twentynine      Palms (2003)&lt;/a&gt;_Bruno Dumont&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/twilight-samurai-2002.html"&gt;The      Twilight Samurai (2002)&lt;/a&gt;_Yôji Yamada&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/twin-peaks-fire-walk-with-me-1992.html"&gt;Twin      Peaks: Fire Walk with Me (1992)&lt;/a&gt;_David Lynch&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/two-acres-of-land1953.html"&gt;Two      Acres of Land (1953)&lt;/a&gt;_Bimal Roy&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/two-for-road-1967.html"&gt;Two      for the Road (1967)&lt;/a&gt;_Stanley Donen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/two-for-seesaw-1962.html"&gt;Two      for the Seesaw (1962)&lt;/a&gt;_Robert Wise&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/two-or-three-things-i-know-about-her.html"&gt;Two      or Three Things I Know About Her (1967)&lt;/a&gt;_Jean-Luc Godard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/2001-space-odyssey-1968.html"&gt;2001:      A Space Odyssey (1968)&lt;/a&gt;_Stanley Kubrick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/two-way-stretch-1960.html"&gt;Two      Way Stretch (1960)&lt;/a&gt;_Robert Day&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/two-weeks-in-another-town-1962.html"&gt;Two      Weeks in Another Town (1962)&lt;/a&gt;_Vincente Minnelli&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/two-women1960.html"&gt;Two      Women (1960)&lt;/a&gt;_Vittorio De Sica&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/two-lane-blacktop-1971.html"&gt;Two-Lane      Blacktop (1971)&lt;/a&gt;_Monte Hellman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/typhoon-club-1985.html"&gt;Typhoon      Club (1985)&lt;/a&gt;_Shinji Sômai&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/ugetsu-monogatari-1953.html"&gt;Ugetsu      Monogatari (1953)&lt;/a&gt;_Kenji Mizoguchi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/ugly-dirty-and-bad-1976.html"&gt;Ugly,      Dirty and Bad (1976)&lt;/a&gt;_Ettore Scola&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/ulees-gold-1997.html"&gt;Ulee's      Gold (1997)&lt;/a&gt;_Victor Nunez&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/ulysse-1982.html"&gt;Ulysse      (1982)&lt;/a&gt;_Agnès Varda&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/umberto-d-1952.html"&gt;Umberto      D. (1952)&lt;/a&gt;_Vittorio De Sica&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/umbrellas-of-cherbourg-1964.html"&gt;The      Umbrellas of Cherbourg (1964)&lt;/a&gt;_Jacques Demy&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/umrao-jaan-1981.html"&gt;Umrao      Jaan (1981)&lt;/a&gt;_Muzaffar Ali&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/unbearable-lightness-of-being-1988.html"&gt;The      Unbearable Lightness of Being (1988)&lt;/a&gt;_Philip Kaufman &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/unbreakable-2000.html"&gt;Unbreakable      (2000)&lt;/a&gt;_M. Night Shyamalan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/under-roofs-of-paris-1930.html"&gt;Under      the Roofs of Paris (1930)&lt;/a&gt;_René Clair&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/under-sand-2000.html"&gt;Under      the Sand (2000)&lt;/a&gt;_François Ozon&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/under-skin-1997.html"&gt;Under      the Skin (1997)&lt;/a&gt;_Carine Adler&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/under-volcano-1984.html"&gt;Under      the Volcano (1984)&lt;/a&gt;_John Huston&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/underground-1995.html"&gt;Underground      (1995)&lt;/a&gt;_Emir Kusturica&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/underground-orchestra-1998.html"&gt;The      Underground Orchestra (1998)&lt;/a&gt;_Heddy Honigmann&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/underworld-usa-1961.html"&gt;Underworld      U.S.A. (1961)&lt;/a&gt;_Samuel Fuller&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/unfaithfully-yours-1948.html"&gt;Unfaithfully      Yours (1948)&lt;/a&gt;_Preston Sturges&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/unforgiven-1992.html"&gt;Unforgiven      (1992)&lt;/a&gt;_Clint Eastwood&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/uninvited-1944.html"&gt;The      Uninvited (1944)&lt;/a&gt;_Lewis Allen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/united-93-2006.html"&gt;United      93 (2006)&lt;/a&gt;_Paul Greengrass&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/unknown-1927.html"&gt;The      Unknown (1927)&lt;/a&gt;_Tod Browning&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/unloved-2009.html"&gt;The      Unloved (2009)&lt;/a&gt;_Samantha Morton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/unreal-2004.html"&gt;Unreal      (2004)&lt;/a&gt;_Sloan Copeland&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/until-end-of-world-1991.html"&gt;Until      the End of the World (1991)&lt;/a&gt;_Wim Wenders&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/luomo-dei-cinque-palloni-1965.html"&gt;L'Uomo      dei Cinque Palloni (1965)&lt;/a&gt;_Marco Ferreri&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/up-2009.html"&gt;Up (2009)&lt;/a&gt;_Pete      Docter&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/up-series-1964.html"&gt;The Up      Series (1964-)&lt;/a&gt;_Michael Apted&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/up-down-fragile-1995.html"&gt;Up,      Down, Fragile (1995)&lt;/a&gt;_Jacques Rivette&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/urban-cowboy-1980.html"&gt;Urban      Cowboy (1980)&lt;/a&gt;_James Bridges&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/usual-suspects-1995.html"&gt;The      Usual Suspects (1995)&lt;/a&gt;_Bryan Singer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/utsab-2000.html"&gt;Utsab      (2000)&lt;/a&gt;_Rituparno Ghosh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/uzak-2002.html"&gt;Uzak (2002)&lt;/a&gt;_Nuri      Bilge Ceylan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/v-for-vendetta-2005.html"&gt;V      for Vendetta (2005)&lt;/a&gt;_James McTeigue&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/va-savoir-who-knows.html"&gt;Va      Savoir - Who Knows? (2001)&lt;/a&gt;_Jacques Rivette&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/vagabond-1985.html"&gt;Vagabond      (1985)&lt;/a&gt;_Agnès Varda&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/valentin-de-las-sierras-1968.html"&gt;Valentin      de las Sierras (1968)&lt;/a&gt;_Bruce Baillie&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/valerie-and-her-week-of-wonders-1970.html"&gt;Valerie      and Her Week of Wonders (1970)&lt;/a&gt;_Jaromil Jires&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/valley-of-dolls-1967.html"&gt;Valley      of the Dolls (1967)&lt;/a&gt;_Mark Robson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/valse-triste-1977.html"&gt;Valse      Triste (1977)&lt;/a&gt;_Bruce Conner&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/vampyr-1932.html"&gt;Vampyr      (1932)&lt;/a&gt;_Carl Theodor Dreyer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/vanishing-1988.html"&gt;The      Vanishing (1988)&lt;/a&gt;_George Sluizer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/vanishing-point-1971.html"&gt;Vanishing      Point (1971)&lt;/a&gt;_Richard C. Sarafian&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/vanya-on-42nd-street-1994.html"&gt;Vanya      on 42nd Street (1994)&lt;/a&gt;_Louis Malle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/variete-1925.html"&gt;Varieté      (1925)&lt;/a&gt;_Ewald André Dupont&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/veer-zaara-2004.html"&gt;Veer-Zaara      (2004)&lt;/a&gt;_Yash Chopra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/velvet-goldmine-1998.html"&gt;Velvet      Goldmine (1998)&lt;/a&gt;_Todd Haynes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/vengeance-is-mine-1979.html"&gt;Vengeance      Is Mine (1979)&lt;/a&gt;_Shohei Imamura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/vera-drake-2004.html"&gt;Vera      Drake (2004)&lt;/a&gt;_Mike Leigh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/el-verdugo-1963.html"&gt;El      Verdugo (1963)&lt;/a&gt;_Luis García Berlanga&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/veredas-1978.html"&gt;Veredas      (1978)&lt;/a&gt;_João César Monteiro&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/veronika-voss-1982.html"&gt;Veronika      Voss (1982)&lt;/a&gt;_Rainer Werner Fassbinder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/vertical-ray-of-sun-2000.html"&gt;Vertical      Ray of the Sun (2000)&lt;/a&gt;_Tran Anh Hung &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/vertigo-1958.html"&gt;Vertigo      (1958)&lt;/a&gt;_Alfred Hitchcock&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/viaggio-in-italia-1954.html"&gt;Viaggio      in Italia (1954)&lt;/a&gt;_Roberto Rossellini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/victim-1961.html"&gt;Victim      (1961)&lt;/a&gt;_Basil Dearden&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/victorvictoria-1982.html"&gt;Victor/Victoria      (1982)&lt;/a&gt;_Blake Edwards&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/videodrome-1983.html"&gt;Videodrome      (1983)&lt;/a&gt;_David Cronenberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/la-vie-de-boheme-1991.html"&gt;La      Vie de Bohème (1992)&lt;/a&gt;_Aki Kaurismäki&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/la-vie-de-jesus-1997.html"&gt;La      Vie de Jesus (1997)&lt;/a&gt;_Bruno Dumont &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/vincent-1987.html"&gt;Vincent      (1987)&lt;/a&gt;_Paul Cox&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/vinyl-1965.html"&gt;Vinyl      (1965)&lt;/a&gt;_Andy Warhol&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/violent-cop-1989.html"&gt;Violent      Cop (1989)&lt;/a&gt;_Takeshi Kitano&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/violent-years-1956.html"&gt;The      Violent Years (1956)&lt;/a&gt;_William Morgan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/virgin-spring-1960.html"&gt;The      Virgin Spring (1960)&lt;/a&gt;_Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/virgin-stripped-bare-by-her-bachelors.html"&gt;Virgin      Stripped Bare By Her Bachelors (2000)&lt;/a&gt;_Hong Sang-Soo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/virgin-suicides-1999.html"&gt;The      Virgin Suicides (1999)&lt;/a&gt;_Sofia Coppola&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/viridiana-1961.html"&gt;Viridiana      (1961)&lt;/a&gt;_Luis Buñuel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/virtuous-scoundrel-1953.html"&gt;The      Virtuous Scoundrel (1953)&lt;/a&gt;_Sacha Guitry&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/visible-compendium-1991.html"&gt;The      Visible Compendium (1991)&lt;/a&gt;_Larry Jordan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/visions-in-meditation-2-mesa-verde-1989.html"&gt;Visions      in Meditation #2: Mesa Verde (1989)&lt;/a&gt;_Stan Brakhage&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/les-visiteurs-du-soir-1942.html"&gt;Les      Visiteurs du Soir (1942)&lt;/a&gt;_Marcel Carné&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/viva-la-muerte-1971.html"&gt;Viva      la Muerte (1971)&lt;/a&gt;_Fernando Arrabal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/viva-las-vegas-1964.html"&gt;Viva      Las Vegas (1964)&lt;/a&gt;_George Sidney&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/viva-litalia-1961.html"&gt;Viva      l'Italia! (1961)&lt;/a&gt;_Roberto Rossellini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/vive-lamour-1994.html"&gt;Vive      l'Amour (1994)&lt;/a&gt;_Tsai Ming-liang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/vivre-sa-vie-1962.html"&gt;Vivre      sa Vie (1962)&lt;/a&gt;_Jean-Luc Godard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/viy-1967.html"&gt;Viy (1967)&lt;/a&gt;_Georgi      Kropachyov &amp;amp; Konstantin Yershov&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/volver-2006.html"&gt;Volver      (2006)&lt;/a&gt;_Pedro Almodóvar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/le-voyage-en-douce-1980.html"&gt;Le      Voyage en Douce (1980)&lt;/a&gt;_Michel Deville&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wr-mysteries-of-organism-1971.html"&gt;W.R.      - Mysteries of the Organism (1971)&lt;/a&gt;_Dusan Makavejev&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wages-of-fear-1953.html"&gt;The      Wages of Fear (1953)&lt;/a&gt;_Henri-Georges Clouzot&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/wagon-master-1950.html"&gt;Wagon      Master (1950)&lt;/a&gt;_John Ford&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/wake-in-fright-1971.html"&gt;Wake      in Fright (1971)&lt;/a&gt;_Ted Kotcheff&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/waking-life-2001.html"&gt;Waking      Life (2001)&lt;/a&gt;_Richard Linklater&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/walk-in-sun-1945.html"&gt;A      Walk in the Sun (1945)&lt;/a&gt;_Lewis Milestone&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/walk-to-remember-2002.html"&gt;A      Walk to Remember (2002)&lt;/a&gt;_Adam Shankman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/walkabout-1971.html"&gt;Walkabout      (1971)&lt;/a&gt;_Nicolas Roeg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wall-street-1987.html"&gt;Wall      Street (1987)&lt;/a&gt;_Oliver Stone&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/walle-2008.html"&gt;WALL·E      (2008)&lt;/a&gt;_Andrew Stanton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wallace-gromit-curse-of-were-rabbit.html"&gt;Wallace      &amp;amp; Gromit: The Curse of the Were-Rabbit (2005)&lt;/a&gt;_Steve Box &amp;amp; Nick      Park&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/waltz-with-bashir-2008.html"&gt;Waltz      with Bashir (2008)&lt;/a&gt;_Ari Folman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/wanda-1970.html"&gt;Wanda      (1970)&lt;/a&gt;_Barbara Loden&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/wanderers-1979.html"&gt;The      Wanderers (1979)&lt;/a&gt;_Philip Kaufman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/war-peace-1972.html"&gt;War      &amp;amp; Peace (1972)&lt;/a&gt;_John Davies&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/war-and-peace-1956.html"&gt;War      and Peace (1956)&lt;/a&gt;_King Vidor&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/war-and-peace-1967.html"&gt;War      and Peace (1967)&lt;/a&gt;_Sergei Bondarchuk&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/war-dance-2007.html"&gt;War      Dance (2007)&lt;/a&gt;_Sean Fine &amp;amp; Andrea Nix&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/war-game-1965.html"&gt;The War      Game (1965)&lt;/a&gt;_Peter Watkins&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wargames-1983.html"&gt;WarGames      (1983)&lt;/a&gt;_John Badham&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/warm-water-under-red-bridge-2001.html"&gt;Warm      Water Under a Red Bridge (2001)&lt;/a&gt;_Shohei Imamura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/warriors-1979.html"&gt;The      Warriors (1979)&lt;/a&gt;_Walter Hill&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/watchmen-2009.html"&gt;Watchmen      (2009)&lt;/a&gt;_Zack Snyder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/watership-down-1978.html"&gt;Watership      Down (1978)&lt;/a&gt;_Martin Rosen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/wavelength-1967.html"&gt;Wavelength      (1967)&lt;/a&gt;_Michael Snow&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/way-ahead-1944.html"&gt;The      Way Ahead (1944)&lt;/a&gt;_Carol Reed&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/way-down-east-1920.html"&gt;Way      Down East (1920)&lt;/a&gt;_D.W. Griffith&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/way-of-dragon-1972.html"&gt;The      Way of the Dragon (1972)&lt;/a&gt;_Bruce Lee&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/way-to-stars-1945.html"&gt;The      Way to the Stars (1945)&lt;/a&gt;_Anthony Asquith&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/way-we-were-1973.html"&gt;The      Way We Were (1973)&lt;/a&gt;_Sydney Pollack&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/wayward-cloud-2005.html"&gt;The      Wayward Cloud (2005)&lt;/a&gt;_Tsai Ming-Liang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/we-spin-around-night-consumed-by-fire.html"&gt;We      Spin Around the Night Consumed by Fire (1978)&lt;/a&gt;_Guy Debord&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/wedding-1978.html"&gt;A      Wedding (1978)&lt;/a&gt;_Robert Altman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/wedding-march-1928.html"&gt;The      Wedding March (1928)&lt;/a&gt;_Erich von Stroheim&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/weekend-1967.html"&gt;Weekend      (1967)&lt;/a&gt;_Jean-Luc Godard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/wendy-and-lucy-2008.html"&gt;Wendy      and Lucy (2008)&lt;/a&gt;_Kelly Reichardt&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/werckmeister-harmonies-2000.html"&gt;Werckmeister      Harmonies (2000)&lt;/a&gt;_Bela Tarr&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/west-point-1927.html"&gt;West      Point (1927)&lt;/a&gt;_Edward Sedgwick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/west-side-story-1961.html"&gt;West      Side Story (1961)&lt;/a&gt;_Jerome Robbins &amp;amp; Robert Wise&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/westward-women-1951.html"&gt;Westward      the Women (1951)&lt;/a&gt;_William A. Wellman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/what-about-bob-1991.html"&gt;What      about Bob? (1991)&lt;/a&gt;_Frank Oz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/what-ever-happened-to-baby-jane-1962.html"&gt;What      Ever Happened to Baby Jane? (1962)&lt;/a&gt;_Robert Aldrich&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/what-goes-up-2003.html"&gt;What      Goes Up (2003)&lt;/a&gt;_Robert Breer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/what-price-glory-1952.html"&gt;What      Price Glory (1952)&lt;/a&gt;_John Ford&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/what-time-is-it-there-2001.html"&gt;What      Time Is It There? (2001)&lt;/a&gt;_Tsai Ming-liang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/whats-opera-doc-1957.html"&gt;What's      Opera, Doc? (1957)&lt;/a&gt;_Chuck Jones&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/whats-up-doc-1972.html"&gt;What's      Up, Doc? (1972)&lt;/a&gt;_Peter Bogdanovich&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/when-woman-ascends-stairs-1960.html"&gt;When      a Woman Ascends the Stairs (1960)&lt;/a&gt;_Mikio Naruse&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/when-levees-broke-2006.html"&gt;When      the Levees Broke (2006)&lt;/a&gt;_Spike Lee&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/when-we-were-kings-1996.html"&gt;When      We Were Kings (1996)&lt;/a&gt;_Leon Gast&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/where-is-my-friends-house-1987.html"&gt;Where      Is My Friend's House? (1987)&lt;/a&gt;_Abbas Kiarostami&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/while-you-were-sleeping-1995.html"&gt;While      You Were Sleeping (1995)&lt;/a&gt;_Jon Turteltaub&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/whisky-2004.html"&gt;Whisky      (2004)&lt;/a&gt;_Juan Pablo Rebella &amp;amp; Pablo Stoll&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/whisky-galore-1949.html"&gt;Whisky      Galore! (1949)&lt;/a&gt;_Alexander Mackendrick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/whisper-of-heart-1995.html"&gt;Whisper      of the Heart (1995)&lt;/a&gt;_Yoshifumi Kondo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/whistle-down-wind-1961.html"&gt;Whistle      Down the Wind (1961)&lt;/a&gt;_Bryan Forbes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/white-dog-1982.html"&gt;White      Dog (1982)&lt;/a&gt;_Samuel Fuller&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/white-heat-1949.html"&gt;White      Heat (1949)&lt;/a&gt;_Raoul Walsh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/who-framed-roger-rabbit-1988.html"&gt;Who      Framed Roger Rabbit? (1988)&lt;/a&gt;_Robert Zemeckis&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/who-is-bozo-texino-2005.html"&gt;Who      Is Bozo Texino? (2005)&lt;/a&gt;_Bill Daniel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/who-slew-auntie-roo-1971.html"&gt;Who      Slew Auntie Roo? (1971)&lt;/a&gt;_Curtis Harrington&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/wholl-stop-rain-1978.html"&gt;Who'll      Stop the Rain (1978)&lt;/a&gt;_Karel Reisz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/whos-afraid-of-virginia-woolf-1966.html"&gt;Who's      Afraid of Virginia Woolf? (1966)&lt;/a&gt;_Mike Nichols&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/whos-minding-mint-1967.html"&gt;Who's      Minding the Mint? (1967)&lt;/a&gt;_Howard Morris&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/wichita-1955.html"&gt;Wichita      (1955)&lt;/a&gt;_Jacques Tourneur&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wicker-man-1973.html"&gt;The      Wicker Man (1973)&lt;/a&gt;_Robin Hardy&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/wide-angle-saxon-1975.html"&gt;Wide      Angle Saxon (1975)&lt;/a&gt;_George Landow&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wife-be-like-rose-1935.html"&gt;Wife!      Be Like a Rose! (1935)&lt;/a&gt;_Mikio Naruse&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wild-bunch-1969.html"&gt;The      Wild Bunch (1969)&lt;/a&gt;_Sam Peckinpah&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wild-child-1970.html"&gt;The      Wild Child (1970)&lt;/a&gt;_Francois Truffaut &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wild-innocence-2001.html"&gt;Wild      Innocence (2001)&lt;/a&gt;_Philippe Garrel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wild-one-1953.html"&gt;The      Wild One (1953)&lt;/a&gt;_Laslo Benedek&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/wild-parrots-of-telegraph-hill-2003.html"&gt;The      Wild Parrots of Telegraph Hill (2003)&lt;/a&gt;_Judy Irving&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/wild-rovers-1971.html"&gt;Wild      Rovers (1971)&lt;/a&gt;_Blake Edwards&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wild-strawberries-1957.html"&gt;Wild      Strawberries (1957)&lt;/a&gt;_Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/wild-things-1998.html"&gt;Wild      Things (1998)&lt;/a&gt;_John McNaughton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/will-it-snow-for-christmas-1996.html"&gt;Will      It Snow for Christmas? (1996)&lt;/a&gt;_Sandrine Veysset&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/will-success-spoil-rock-hunter-1957.html"&gt;Will      Success Spoil Rock Hunter? (1957)&lt;/a&gt;_Frank Tashlin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/william-shakespeares-romeo-juliet.html"&gt;William      Shakespeare's Romeo + Juliet (1996)&lt;/a&gt;_Baz Luhrmann&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/willy-wonka-chocolate-factory-1971.html"&gt;Willy      Wonka &amp;amp; the Chocolate Factory (1971)&lt;/a&gt;_Mel Stuart&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wilson-1944.html"&gt;Wilson      (1944)&lt;/a&gt;_Henry King&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/winchester-73-1950.html"&gt;Winchester      '73 (1950)&lt;/a&gt;_Anthony Mann&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wind-1928.html"&gt;The Wind      (1928)&lt;/a&gt;_Victor Sjöström&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/wind-is-driving-him-toward-open-sea.html"&gt;The      Wind Is Driving Him Toward the Open Sea (1968)&lt;/a&gt;_David Brooks&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/wind-that-shakes-barley-2006.html"&gt;The      Wind That Shakes the Barley (2006)&lt;/a&gt;_Ken Loach&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wind-will-carry-us-1999.html"&gt;The      Wind Will Carry Us (1999)&lt;/a&gt;_Abbas Kiarostami&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/window-water-baby-moving-1962.html"&gt;Window      Water Baby Moving (1962)&lt;/a&gt;_Stan Brakhage&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/winged-serpent-1982.html"&gt;The      Winged Serpent (1982)&lt;/a&gt;_Larry Cohen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wings-of-desire-1987.html"&gt;Wings      of Desire (1987)&lt;/a&gt;_Wim Wenders &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/wings-of-eagles-1957.html"&gt;The      Wings of Eagles (1957)&lt;/a&gt;_John Ford&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/winter-light-1962.html"&gt;Winter      Light (1962)&lt;/a&gt;_Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/winter-solstice-1974.html"&gt;Winter      Solstice (1974)&lt;/a&gt;_Hollis Frampton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/winters-tale-1992.html"&gt;A      Winter's Tale (1992)&lt;/a&gt;_Eric Rohmer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wise-blood-1979.html"&gt;Wise      Blood (1979)&lt;/a&gt;_John Huston&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/witchfinder-general-1968.html"&gt;Witchfinder      General (1968)&lt;/a&gt;_Michael Reeves&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/with-song-in-my-heart-1952.html"&gt;With      a Song in My Heart (1952)&lt;/a&gt;_Walter Lang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/with-beauty-and-sorrow-1965.html"&gt;With      Beauty and Sorrow (1965)&lt;/a&gt;_Masahiro Shinoda&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/withnail-i-1987.html"&gt;Withnail      &amp;amp; I (1987)&lt;/a&gt;_Bruce Robinson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/witness-1985.html"&gt;Witness      (1985)&lt;/a&gt;_Peter Weir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/witness-for-prosecution-1957.html"&gt;Witness      for the Prosecution (1957)&lt;/a&gt;_Billy Wilder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/wiz-1978.html"&gt;The Wiz      (1978)&lt;/a&gt;_Sidney Lumet&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wizard-of-oz-1939.html"&gt;The      Wizard of Oz (1939)&lt;/a&gt;_Victor Fleming&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/wolf-man-1941.html"&gt;The      Wolf Man (1941)&lt;/a&gt;_George Waggner&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/woman-in-window-1944.html"&gt;The      Woman in the Window (1944)&lt;/a&gt;_Fritz Lang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/woman-is-woman-1961.html"&gt;A      Woman Is a Woman (1961)&lt;/a&gt;_Jean-Luc Godard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/woman-of-dunes-1964.html"&gt;Woman      of the Dunes (1964)&lt;/a&gt;_Hiroshi Teshigahara&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/woman-under-influence-1974.html"&gt;A      Woman Under the Influence (1974)&lt;/a&gt;_John Cassavetes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/women-1939.html"&gt;The Women      (1939)&lt;/a&gt;_George Cukor&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/women-2008.html"&gt;The Women      (2008)&lt;/a&gt;_Diane English&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wonder-boys-2000.html"&gt;Wonder      Boys (2000)&lt;/a&gt;_Curtis Hanson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/wonder-ring-1955.html"&gt;The      Wonder Ring (1955)&lt;/a&gt;_Stan Brakhage&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/working-class-goes-to-heaven-1971.html"&gt;The      Working Class Goes to Heaven (1971)&lt;/a&gt;_Elio Petri&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/world-2004.html"&gt;The World      (2004)&lt;/a&gt;_Jia Zhangke&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/world-mirror-cinema-2005.html"&gt;World      Mirror Cinema (2005)&lt;/a&gt;_Gustav Deutsch&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/world-of-apu-1959.html"&gt;The      World of Apu (1959)&lt;/a&gt;_Satyajit Ray &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wrestler-2008.html"&gt;The      Wrestler (2008)&lt;/a&gt;_Darren Aronofsky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/written-on-wind-1956.html"&gt;Written      on the Wind (1956)&lt;/a&gt;_Douglas Sirk&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/wrong-arm-of-law-1963.html"&gt;The      Wrong Arm of the Law (1963)&lt;/a&gt;_Cliff Owen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/wrong-box-1966.html"&gt;The      Wrong Box (1966)&lt;/a&gt;_Bryan Forbes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/wrong-trousers-1993.html"&gt;The      Wrong Trousers (1993)&lt;/a&gt;_Nick Park&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/wuthering-heights-1939.html"&gt;Wuthering      Heights (1939)&lt;/a&gt;_William Wyler&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/x2-2003.html"&gt;X2 (2003)&lt;/a&gt;_Bryan      Singer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/y-tu-mama-tambien-2001.html"&gt;Y      Tu Mamá También (2001)&lt;/a&gt;_Alfonso Cuarón&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/yankee-doodle-dandy-1942.html"&gt;Yankee      Doodle Dandy (1942)&lt;/a&gt;_Michael Curtiz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/year-of-living-dangerously-1982.html"&gt;The      Year of Living Dangerously (1982)&lt;/a&gt;_Peter Weir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/yearling-1946.html"&gt;The      Yearling (1946)&lt;/a&gt;_Clarence Brown&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/yeelen-1987.html"&gt;Yeelen      (1987)&lt;/a&gt;_Souleymane Cissé&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/yellow-earth-1984.html"&gt;Yellow      Earth (1984)&lt;/a&gt;_Chen Kaige&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/yellow-submarine-1968.html"&gt;Yellow      Submarine (1968)&lt;/a&gt;_George Dunning&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt; 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 &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/you-dont-mess-with-zohan-2008.html"&gt;You      Don't Mess with the Zohan (2008)&lt;/a&gt;_Dennis Dugan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/you-only-live-once-1937.html"&gt;You      Only Live Once (1937)&lt;/a&gt;_Fritz Lang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/you-only-live-twice-1967.html"&gt;You      Only Live Twice (1967)&lt;/a&gt;_Lewis Gilbert&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/you-living-2007.html"&gt;You,      the Living (2007)&lt;/a&gt;_Roy Andersson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt; 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 &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/zabriskie-point-1970.html"&gt;Zabriskie      Point (1970)&lt;/a&gt;_Michelangelo Antonioni&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/zapruder-film-of-kennedy-assassination.html"&gt;Zapruder      Film of Kennedy Assassination (1963)&lt;/a&gt;_Abraham Zapruder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/zelig-1983.html"&gt;Zelig      (1983)&lt;/a&gt;_Woody Allen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/zero-de-conduite-1933.html"&gt;Zéro      de Conduite (1933)&lt;/a&gt;_Jean Vigo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/zero-kelvin-1995.html"&gt;Zero      Kelvin (1995)&lt;/a&gt;_Hans Petter Moland&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/zodiac-2007.html"&gt;Zodiac      (2007)&lt;/a&gt;_David Fincher&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/zorns-lemma-1970.html"&gt;Zorns      Lemma (1970)&lt;/a&gt;_Hollis Frampton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6321218951926757521-7035212089911554532?l=1linereview2.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://1linereview2.blogspot.com/feeds/7035212089911554532/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6321218951926757521&amp;postID=7035212089911554532' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default/7035212089911554532'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6321218951926757521/posts/default/7035212089911554532'/><link rel='alternate' type='text/html' href='http://1linereview2.blogspot.com/2009/07/s-z.html' title='S-Z'/><author><name>Iain Stott</name><uri>http://www.blogger.com/profile/02106892447522644509</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6321218951926757521.post-1006732171615206647</id><published>2009-07-09T09:01:00.001-07:00</published><updated>2009-07-19T09:10:53.036-07:00</updated><title type='text'>M-R</title><content type='html'>&lt;ul style="margin-top:0cm" type="circle"&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/m-1931.html"&gt;M (1931)&lt;/a&gt;_Fritz      Lang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/ma-vie-sexuelle-1996.html"&gt;Ma      Vie Sexuelle (1996)&lt;/a&gt;_Arnaud Desplechin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/maborosi-1995.html"&gt;Maborosi      (1995)&lt;/a&gt;_Hirokazu Koreeda&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/machuca-2004.html"&gt;Machuca      (2004)&lt;/a&gt;_Andrés Wood&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/macross-do-you-remember-love1984.html"&gt;Macross:      Do You Remember Love? (1984)&lt;/a&gt;_Kawamori Shoji&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/macunaima-1969.html"&gt;Macunaima      (1969)&lt;/a&gt;_Joaquim Pedro de Andrade&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mephisto-1981.html"&gt;Mad Max      2 (1981)&lt;/a&gt;_George Miller&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/madadayo-1993.html"&gt;Madadayo      (1993)&lt;/a&gt;_Akira Kurosawa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/madame-de-1953.html"&gt;Madame      de... (1953)&lt;/a&gt;_Max Ophüls&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/made-in-britain-1982.html"&gt;Made      In Britain (1982)&lt;/a&gt;_Alan Clarke&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/maggie-1954.html"&gt;The      Maggie (1954)&lt;/a&gt;_Alexander Mackendrick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/magick-lantern-cycle-1947-1965.html"&gt;Magick      Lantern Cycle (1947-1965)&lt;/a&gt;_Kenneth Anger&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/magnificent-ambersons-1942.html"&gt;The      Magnificent Ambersons (1942)&lt;/a&gt;_Orson Welles&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/magnificent-seven-1960.html"&gt;The      Magnificent Seven (1960)&lt;/a&gt;_John Sturges&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/magnolia-1999.html"&gt;Magnolia      (1999)&lt;/a&gt;_Paul Thomas Anderson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/mahanagar-1963.html"&gt;Mahanagar      (1963)&lt;/a&gt;_Satyajit Ray&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/main-actor-1977.html"&gt;The      Main Actor (1977)&lt;/a&gt;_Reinhard Hauff&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/make-way-for-tomorrow-1937.html"&gt;Make      Way for Tomorrow (1937)&lt;/a&gt;_Leo McCarey&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/mala-noche-1985.html"&gt;&lt;span lang="SV" style="mso-ansi-language:SV"&gt;Mala Noche (1985)&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang="SV"   style="mso-ansi-language:SV;font-family:Arial;font-size:10.0pt;"&gt;_Gus      Van Sant&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/malcolm-x-1992.html"&gt;&lt;span lang="SV" style="mso-ansi-language:SV"&gt;Malcolm X (1992)&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang="SV"   style="mso-ansi-language:SV;font-family:Arial;font-size:10.0pt;"&gt;_Spike      Lee&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/maltese-falcon-1941.html"&gt;The      Maltese Falcon (1941)&lt;/a&gt;_John Huston&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mama-mia-2008.html"&gt;Mamma      Mia! (2008)&lt;/a&gt;_Phyllida Lloyd&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mamma-roma-1962.html"&gt;Mamma      Roma (1962)&lt;/a&gt;_Pier Paolo Pasolini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/mammals-of-victoria-1994.html"&gt;The      Mammals of Victoria (1994)&lt;/a&gt;_Stan Brakhage&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/man-bites-dog-1992.html"&gt;Man      Bites Dog (1992)&lt;/a&gt;_Rémy Belvaux &amp;amp; André Bonzel &amp;amp; Benoît      Poelvoorde&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/man-escaped-1956.html"&gt;A      Man Escaped (1956)&lt;/a&gt;_Robert Bresson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/man-for-all-seasons-1966.html"&gt;A      Man for All Seasons (1966)&lt;/a&gt;_Fred Zinnemann&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/man-in-moon-1991.html"&gt;The      Man in the Moon (1991)&lt;/a&gt;_Robert Mulligan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/man-in-white-suit-1951.html"&gt;The      Man in the White Suit (1951)&lt;/a&gt;_Alexander Mackendrick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/man-of-aran-1934.html"&gt;Man      of Aran (1934)&lt;/a&gt;_Robert Flaherty&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/man-of-flowers-1983.html"&gt;Man      of Flowers (1983)&lt;/a&gt;_Paul Cox&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/man-of-la-mancha-1972.html"&gt;Man      of La Mancha (1972)&lt;/a&gt;_Arthur Hiller&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/man-of-west-1958.html"&gt;Man      of the West (1958)&lt;/a&gt;_Anthony Mann&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/man-on-wire-2008.html"&gt;Man      on Wire (2008)&lt;/a&gt;_James Marsh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/man-who-fell-to-earth-1976.html"&gt;The      Man Who Fell to Earth (1976)&lt;/a&gt;_Nicolas Roeg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/man-who-left-his-will-on-film-1970.html"&gt;The      Man Who Left His Will on Film (1970)&lt;/a&gt;_Nagisa Oshima&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/man-who-planted-trees-1987.html"&gt;The      Man Who Planted Trees (1987)&lt;/a&gt;_Frédéric Back&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/man-who-shot-liberty-valance-1962.html"&gt;The      Man Who Shot Liberty Valance (1962)&lt;/a&gt;_John Ford&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/man-who-sleeps-1974.html"&gt;The      Man Who Sleeps (1974)&lt;/a&gt;_Bernard Queysanne&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/man-who-wasnt-there-2001.html"&gt;The      Man Who Wasn't There (2001)&lt;/a&gt;_The Coen Brothers&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/man-who-would-be-king-1975.html"&gt;The      Man Who Would Be King (1975)&lt;/a&gt;_John Huston&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/man-with-movie-camera-1929.html"&gt;Man      with a Movie Camera (1929)&lt;/a&gt;_Dziga Vertov&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/man-without-past-2002.html"&gt;The      Man Without a Past (2002)&lt;/a&gt;_Aki Kaurismäki&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/man-woman-and-beast-1977.html"&gt;Man,      Woman and Beast (1977)&lt;/a&gt;_Alberto Cavallone&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/manchurian-candidate-1962.html"&gt;The      Manchurian Candidate (1962)&lt;/a&gt;_John Frankenheimer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/manderlay-2005.html"&gt;Manderlay      (2005)&lt;/a&gt;_Lars von Trier&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/manhattan-1979.html"&gt;Manhattan      (1979)&lt;/a&gt;_Woody Allen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/manhunter-1986.html"&gt;Manhunter      (1986)&lt;/a&gt;_Michael Mann&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/manji-1964.html"&gt;Manji      (1964)&lt;/a&gt;_Yasuzo Masumura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/manon-des-sources-1986.html"&gt;Manon      des Sources (1986)&lt;/a&gt;_Claude Berri&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/mans-castle-1933.html"&gt;Man's      Castle (1933)&lt;/a&gt;_Frank Borzage&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/marathon-man-1976.html"&gt;Marathon      Man (1976)&lt;/a&gt;_John Schlesinger&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/marie-antoinette-2006.html"&gt;Marie      Antoinette (2006)&lt;/a&gt;_Sofia Coppola&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/marius-1931.html"&gt;Marius      (1931)&lt;/a&gt;_Alexander Korda &amp;amp; Marcel Pagnol&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/marjoe-1972.html"&gt;Marjoe      (1972)&lt;/a&gt;_Sarah Kernochan &amp;amp; Howard Smith&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/marketa-lazarova-1967.html"&gt;Marketa      Lazarová (1967)&lt;/a&gt;_Frantisek Vlácil&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/marnie-1964.html"&gt;Marnie      (1964)&lt;/a&gt;_Alfred Hitchcock&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/marriage-of-maria-braun-1979.html"&gt;The      Marriage of Maria Braun (1979)&lt;/a&gt;_Rainer Werner Fassbinder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/marseille-2004.html"&gt;Marseille      (2004)&lt;/a&gt;_Angela Schanelec&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/martin-1977.html"&gt;Martin      (1977)&lt;/a&gt;_George A. Romero&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/marty-1955.html"&gt;Marty      (1955)&lt;/a&gt;_Delbert Mann&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mary-poppins-1964.html"&gt;Mary      Poppins (1964)&lt;/a&gt;_Robert Stevenson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/masculine-feminine-1966.html"&gt;Masculine-Feminine      (1966)&lt;/a&gt;_Jean-Luc Godard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mash-1970.html"&gt;MASH (1970)&lt;/a&gt;_Robert      Altman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/masseurs-and-woman-1938.html"&gt;The      Masseurs and a Woman (1938)&lt;/a&gt;_Hiroshi Shimizu&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/master-and-commander-far-side-of-world.html"&gt;Master      and Commander: The Far Side of the World (2003)&lt;/a&gt;_Peter Weir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/matrix-1999.html"&gt;The      Matrix (1999)&lt;/a&gt;_The Wachowski Brothers&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/matrix-reloaded-2003.html"&gt;The      Matrix Reloaded (2003)&lt;/a&gt;_The Wachowski Brothers&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/matrix-revolutions-2003.html"&gt;The      Matrix Revolutions (2003)&lt;/a&gt;_The Wachowski Brothers&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/matter-of-life-and-death-1946.html"&gt;A      Matter of Life and Death (1946)&lt;/a&gt;_Michael Powell &amp;amp; Emeric      Pressburger&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/maurice-1987.html"&gt;Maurice      (1987)&lt;/a&gt;_James Ivory&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mayerling-1936.html"&gt;Mayerling      (1936)&lt;/a&gt;_Anatole Litvak&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mccabe-mrs-miller-1971.html"&gt;McCabe      &amp;amp; Mrs. Miller (1971)&lt;/a&gt;_Robert Altman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/me-and-you-and-everyone-we-know-2005.html"&gt;Me      and You and Everyone We Know (2005)&lt;/a&gt;_Miranda July&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/me-natalie-1969.html"&gt;Me,      Natalie (1969)&lt;/a&gt;_Fred Coe&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mean-streets-1973.html"&gt;Mean      Streets (1973)&lt;/a&gt;_Martin Scorsese&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/meandre-1966.html"&gt;Meandre      (1966)&lt;/a&gt;_Mircea Saucan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/medium-cool-1969.html"&gt;Medium      Cool (1969)&lt;/a&gt;_Haskell Wexler &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/meet-me-in-st-louis-1944.html"&gt;Meet      Me in St. Louis (1944)&lt;/a&gt;_Vincente Minnelli&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/member-of-wedding-1952.html"&gt;The      Member of the Wedding (1952)&lt;/a&gt;_Fred Zinnemann&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/memento-2000.html"&gt;Memento      (2000)&lt;/a&gt;_Christopher Nolan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/memoirs-of-geisha-2005.html"&gt;Memoirs      of a Geisha (2005)&lt;/a&gt;_Rob Marshall&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/memories-of-murder-2003.html"&gt;Memories      of Murder (2003)&lt;/a&gt;_Bong Joon-ho&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/memories-of-underdevelopment-1968.html"&gt;Memories      of Underdevelopment (1968)&lt;/a&gt;_Tomás Gutiérrez Alea&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/men-in-black-1997.html"&gt;Men      in Black (1997)&lt;/a&gt;_Barry Sonnenfeld&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/men-in-war-1957.html"&gt;Men      in War (1957)&lt;/a&gt;_Anthony Mann&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/menilmontant-1926.html"&gt;Ménilmontant      (1926)&lt;/a&gt;_Dimitri Kirsanoff&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/menq-1969.html"&gt;Menq (1969)&lt;/a&gt;_Artavazd      Peleshian&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mephisto-1981.html"&gt;Mephisto      (1981)&lt;/a&gt;_István Szabó&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/merchant-of-four-seasons-1971.html"&gt;The      Merchant of Four Seasons (1971)&lt;/a&gt;_Rainer Werner Fassbinder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/merchant-of-venice-1973.html"&gt;The      Merchant of Venice (1973)&lt;/a&gt;_John Sichel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/mermaids-1990.html"&gt;Mermaids      (1990)&lt;/a&gt;_Richard Benjamin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/merry-christmas-mr-lawrence-1983.html"&gt;Merry      Christmas Mr. Lawrence (1983)&lt;/a&gt;_Nagisa Oshima&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/meshes-of-afternoon-1943.html"&gt;Meshes      of the Afternoon (1943)&lt;/a&gt;_Maya Deren&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/messiah-1975.html"&gt;The      Messiah (1975)&lt;/a&gt;_Roberto Rossellini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/metropolis-1927.html"&gt;Metropolis      (1927)&lt;/a&gt;_Fritz Lang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/metropolitan-1990.html"&gt;Metropolitan      (1990)&lt;/a&gt;_Whit Stillman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/miami-vice-2006.html"&gt;Miami      Vice (2006)&lt;/a&gt;_Michael Mann&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/michael-clayton-2007.html"&gt;Michael      Clayton (2007)&lt;/a&gt;_Tony Gilroy&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mickey-one-1965.html"&gt;Mickey      One (1965)&lt;/a&gt;_Arthur Penn&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/midnight-1939.html"&gt;Midnight      (1939)&lt;/a&gt;_Mitchell Leisen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/midnight-cowboy-1969.html"&gt;Midnight      Cowboy (1969)&lt;/a&gt;_John Schlesinger&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/midnight-mary-1933.html"&gt;Midnight      Mary (1933)&lt;/a&gt;_William A. Wellman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/midnight-run-1988.html"&gt;Midnight      Run (1988)&lt;/a&gt;_Martin Brest&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mighty-heart-2007.html"&gt;A      Mighty Heart (2007)&lt;/a&gt;_Michael Winterbottom&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mikey-and-nicky-1976.html"&gt;Mikey      and Nicky (1976)&lt;/a&gt;_Elaine May&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/milano-calibro-9-1972.html"&gt;Milano      Calibro 9 (1972)&lt;/a&gt;_Fernando Di Leo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mildred-pierce-1945.html"&gt;Mildred      Pierce (1945)&lt;/a&gt;_Michael Curtiz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/milk-2008.html"&gt;Milk (2008)&lt;/a&gt;_Gus      Van Sant&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/millenium-mambo-2001.html"&gt;Millenium      Mambo (2001)&lt;/a&gt;_Hou Hsiao-hsien&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/millers-crossing-1990.html"&gt;Miller's      Crossing (1990)&lt;/a&gt;_The Coen Brothers&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/million-dollar-baby-2004.html"&gt;Million      Dollar Baby (2004)&lt;/a&gt;_Clint Eastwood&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/minamata-patients-and-their-world-1972.html"&gt;Minamata:      The Patients and their World (1972)&lt;/a&gt;_Noriaki Tsuchimoto&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mind-game-2004.html"&gt;Mind      Game (2004)&lt;/a&gt;_Masaaki Yuasa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/minimal-stories-2002.html"&gt;Minimal      Stories (2002)&lt;/a&gt;_Carlos Sorin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/ministry-of-fear-1944.html"&gt;Ministry      of Fear (1944)&lt;/a&gt;_Fritz Lang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/minnie-and-moskowitz-1971.html"&gt;Minnie      And Moskowitz (1971)&lt;/a&gt;_John Cassavetes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/minority-report-2002.html"&gt;Minority      Report (2002)&lt;/a&gt;_Steven Spielberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/miracle-in-milan-1951.html"&gt;Miracle      in Milan (1951)&lt;/a&gt;_Vittorio De Sica&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/miracle-mile-1988.html"&gt;Miracle      Mile (1988)&lt;/a&gt;_Steve De Jarnatt&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/miracle-of-morgans-creek-1944.html"&gt;The      Miracle of Morgan's Creek (1944)&lt;/a&gt;_Preston Sturges&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/miracle-worker-1962.html"&gt;The      Miracle Worker (1962)&lt;/a&gt;_Arthur Penn&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/miracles-canton-godfather-1989.html"&gt;Miracles:      The Canton Godfather (1989)&lt;/a&gt;_Jackie Chan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mirror-1975.html"&gt;Mirror      (1975)&lt;/a&gt;_Andrei Tarkovsky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/les-miserables-1958.html"&gt;Les      Misérables (1958)&lt;/a&gt;_Jean-Paul Le Chanois&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/misery-1990.html"&gt;Misery      (1990)&lt;/a&gt;_Rob Reiner&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/misfits-1961.html"&gt;The      Misfits (1961)&lt;/a&gt;_John Huston&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/miss-julie-1951.html"&gt;Miss      Julie (1951)&lt;/a&gt;_Alf Sjöberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/miss-oyu-1951.html"&gt;Miss      Oyu (1951)&lt;/a&gt;_Kenji Mizoguchi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/missing-1982.html"&gt;Missing      (1982)&lt;/a&gt;_Costa-Gavras&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mission-1986.html"&gt;The      Mission (1986)&lt;/a&gt;_Roland Joffé&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mission-1999.html"&gt;The      Mission (1999)&lt;/a&gt;_Johnnie To&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mr-mrs-bridge-1990.html"&gt;Mr.      &amp;amp; Mrs. Bridge (1990)&lt;/a&gt;_James Ivory&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mr-bird-to-rescue-1980.html"&gt;Mr.      Bird to the Rescue (1980)&lt;/a&gt;_Paul Grimault&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/mr-frenhofer-and-minotaur-1949.html"&gt;Mr.      Frenhofer and the Minotaur (1949)&lt;/a&gt;_Sidney Peterson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mister-lonely-2007.html"&gt;Mister      Lonely (2007)&lt;/a&gt;_Harmony Korine&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mr-smith-goes-to-washington-1939.html"&gt;Mr.      Smith Goes to Washington (1939)&lt;/a&gt;_Frank Capra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/le-mistral-1965.html"&gt;Le      Mistral (1965)&lt;/a&gt;_Joris Ivens&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mitchell-and-kenyon-films-1897-1913.html"&gt;Mitchell      and Kenyon films (1897-1913)&lt;/a&gt;_Sagar Mitchell &amp;amp; James Kenyon&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/moby-dick-1956.html"&gt;Moby      Dick (1956)&lt;/a&gt;_John Huston&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mock-up-on-mu-2008.html"&gt;Mock      Up on Mu (2008)&lt;/a&gt;_Craig Baldwin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/modern-times-1936.html"&gt;Modern      Times (1936)&lt;/a&gt;_Charles Chaplin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/moderns-1988.html"&gt;The      Moderns (1988)&lt;/a&gt;_Alan Rudolph&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/modesty-blaise-1966.html"&gt;Modesty      Blaise (1966)&lt;/a&gt;_Joseph Losey&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/moliere-2007.html"&gt;Moliere      (2007)&lt;/a&gt;_Laurent Tirard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/moment-of-innocence-1996.html"&gt;A      Moment of Innocence (1996)&lt;/a&gt;_Mohsen Makhmalbaf&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mommie-dearest-1981.html"&gt;Mommie      Dearest (1981)&lt;/a&gt;_Frank Perry&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mon-oncle-1958.html"&gt;Mon      Oncle (1958)&lt;/a&gt;_Jacques Tati&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mon-oncle-antoine-1971.html"&gt;Mon      Oncle Antoine (1971)&lt;/a&gt;_Claude Jutra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mona-lisa-1986.html"&gt;Mona      Lisa (1986)&lt;/a&gt;_Neil Jordan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/mondays-in-sun-2002.html"&gt;Mondays      in the Sun (2002)&lt;/a&gt;_Fernando León de Aranoa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/money-trap-1965.html"&gt;The      Money Trap (1965)&lt;/a&gt;_Burt Kennedy&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mongol-2007.html"&gt;Mongol      (2007)&lt;/a&gt;_Sergei Bodrov&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/monsieur-hulots-holiday-1953.html"&gt;Monsieur      Hulot's Holiday (1953)&lt;/a&gt;_Jacques Tati&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/monsieur-verdoux-1947.html"&gt;Monsieur      Verdoux (1947)&lt;/a&gt;_Charles Chaplin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/monster-2003.html"&gt;Monster      (2003)&lt;/a&gt;_Patty Jenkins&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/monster-in-box-1992.html"&gt;Monster      in a Box (1992)&lt;/a&gt;_Nick Broomfield&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/monte-walsh-1970.html"&gt;Monte      Walsh (1970)&lt;/a&gt;_William A. Fraker&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/montenegro-1981.html"&gt;Montenegro      (1981)&lt;/a&gt;_Dusan Makavejev&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/monty-python-and-holy-grail-1975.html"&gt;Monty      Python and the Holy Grail (1975)&lt;/a&gt;_Terry Gilliam &amp;amp; Terry Jones&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/monty-pythons-life-of-brian-1979.html"&gt;Monty      Python's Life of Brian (1979)&lt;/a&gt;_Terry Jones&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/monty-pythons-meaning-of-life-1983.html"&gt;Monty      Python's the Meaning of Life (1983)&lt;/a&gt;_Terry Gilliam &amp;amp; Terry Jones&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/moolaade-2004.html"&gt;Moolaadé      (2004)&lt;/a&gt;_Ousmane Sembene&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/moon-over-miami-1941.html"&gt;Moon      Over Miami (1941)&lt;/a&gt;_Walter Lang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/moonrise-1948.html"&gt;Moonrise      (1948)&lt;/a&gt;_Frank Borzage&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/morocco-1930.html"&gt;Morocco      (1930)&lt;/a&gt;_Josef von Sternberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mortal-storm-1940.html"&gt;The      Mortal Storm (1940)&lt;/a&gt;_Frank Borzage&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/moses-and-aaron-1975.html"&gt;Moses      and Aaron (1975)&lt;/a&gt;_Danièle Huillet &amp;amp; Jean-Marie Straub&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mosquito-coast-1986.html"&gt;The      Mosquito Coast (1986)&lt;/a&gt;_Peter Weir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mother-1926.html"&gt;Mother      (1926)&lt;/a&gt;_Vsevolod Pudovkin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mother-and-son-1997.html"&gt;Mother      and Son (1997)&lt;/a&gt;_Aleksandr Sokurov&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mother-and-whore-1973.html"&gt;The      Mother and the Whore (1973)&lt;/a&gt;_Jean Eustache&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/mother-kusters-trip-to-heaven-1975.html"&gt;Mother      Kuster's Trip to Heaven (1975)&lt;/a&gt;_Rainer Werner Fassbinder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/mothlight-1963.html"&gt;Mothlight      (1963)&lt;/a&gt;_Stan Brakhage&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/motorcycle-diaries-2004.html"&gt;The      Motorcycle Diaries (2004)&lt;/a&gt;_Walter Salles&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mouchette-1967.html"&gt;Mouchette      (1967)&lt;/a&gt;_Robert Bresson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/moulin-rouge-2001.html"&gt;Moulin      Rouge (2001)&lt;/a&gt;_Baz Luhrmann&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mr-thank-you-1936.html"&gt;Mr.      Thank You (1936)&lt;/a&gt;_Hiroshi Shimizu&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mrs-miniver-1942.html"&gt;Mrs.      Miniver (1942)&lt;/a&gt;_William Wyler&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/ms-45-1981.html"&gt;Ms. 45      (1981)&lt;/a&gt;_Abel Ferrara&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/much-ado-about-nothing-1993.html"&gt;Much      Ado About Nothing (1993)&lt;/a&gt;_Kenneth Branagh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/mulberry-street-1957.html"&gt;Mulberry      Street (1957)&lt;/a&gt;_Joseph Cornell&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/mulholland-dr-2001.html"&gt;Mulholland      Dr. (2001)&lt;/a&gt;_David Lynch&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/munich-2005.html"&gt;Munich      (2005)&lt;/a&gt;_Steven Spielberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/muppet-movie-1979.html"&gt;The      Muppet Movie (1979)&lt;/a&gt;_James Frawley&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/muppets-take-manhattan-1984.html"&gt;The      Muppets Take Manhattan (1984)&lt;/a&gt;_Frank Oz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/murder-by-death-1976.html"&gt;Murder      by Death (1976)&lt;/a&gt;_Robert Moore&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/murder-is-my-beat-1955.html"&gt;Murder      Is My Beat (1955)&lt;/a&gt;_Edgar G. Ulmer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/murder-on-sunday-morning-2001.html"&gt;Murder      on a Sunday Morning (2001)&lt;/a&gt;_Jean-Xavier de Lestrade&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/murder-on-orient-express-1974.html"&gt;Murder      on the Orient Express (1974)&lt;/a&gt;_Sidney Lumet&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/murderball-2005.html"&gt;Murderball      (2005)&lt;/a&gt;_Henry Alex Rubin &amp;amp; Dana Adam Shapiro&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/muriel-ou-le-temps-dun-retour-1963.html"&gt;Muriel      ou Le Temps d'un Retour (1963)&lt;/a&gt;_Alain Resnais&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/muriels-wedding-1994.html"&gt;Muriel's      Wedding (1994)&lt;/a&gt;_P.J. Hogan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/music-man-1962.html"&gt;The      Music Man (1962)&lt;/a&gt;_Morton DaCosta&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/music-room-1958.html"&gt;The      Music Room (1958)&lt;/a&gt;_Satyajit Ray&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/mutiny-on-bounty-1935.html"&gt;Mutiny      on the Bounty (1935)&lt;/a&gt;_Frank Lloyd&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/my-ain-folk-1973.html"&gt;My      Ain Folk (1973)&lt;/a&gt;_Bill Douglas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/my-american-uncle-1980.html"&gt;My      American Uncle (1980)&lt;/a&gt;_Alain Resnais&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/my-best-friends-girl-2008.html"&gt;My      Best Friend's Girl (2008)&lt;/a&gt;_Howard Deutch&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/my-best-friends-wedding-1997.html"&gt;My      Best Friend's Wedding (1997)&lt;/a&gt;_P.J. Hogan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/my-brilliant-career-1979.html"&gt;My      Brilliant Career (1979)&lt;/a&gt;_Gillian Armstrong&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/my-childhood-1972.html"&gt;My      Childhood (1972)&lt;/a&gt;_Bill Douglas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/night-and-fog-1955.html"&gt;My      Darling Clementine (1946)&lt;/a&gt;_John Ford&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt; 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Flaherty&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/napoleon-1927.html"&gt;Napoleon      (1927)&lt;/a&gt;_Abel Gance&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/naqoyqatsi-2002.html"&gt;Naqoyqatsi      (2002)&lt;/a&gt;_Godfrey Reggio&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/narc-2002.html"&gt;Narc (2002)&lt;/a&gt;_Joe      Carnahan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/narita-peasants-of-second-fortress-1971.html"&gt;Narita:      Peasants of the Second Fortress (1971)&lt;/a&gt;_Shinsuke Ogawa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/nashville-1975.html"&gt;Nashville      (1975)&lt;/a&gt;_Robert Altman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/national-lampoons-animal-house-1978.html"&gt;National      Lampoon’s Animal House (1978)&lt;/a&gt;_John Landis&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/national-lampoons-vacation-1983.html"&gt;National      Lampoon's Vacation (1983)&lt;/a&gt;_Harold Ramis&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/native-son-1986.html"&gt;Native      Son (1986)&lt;/a&gt;_Jerrold Freedman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/natural-1984.html"&gt;The      Natural (1984)&lt;/a&gt;_Barry Levinson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/natural-born-killers-1994.html"&gt;Natural      Born Killers (1994)&lt;/a&gt;_Oliver Stone&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/nausicaa-of-valley-of-wind-1984.html"&gt;Nausicaä      - Of the Valley of the Wind (1984)&lt;/a&gt;_Hayao Miyazaki&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/navigator-1924.html"&gt;The      Navigator (1924)&lt;/a&gt;_Donald Crisp &amp;amp; Buster Keaton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/nayak-1966.html"&gt;Nayak      (1966)&lt;/a&gt;_Satyajit Ray&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/nazarin-1959.html"&gt;Nazarin      (1959)&lt;/a&gt;_Luis Buñuel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/near-dark-1987.html"&gt;Near      Dark (1987)&lt;/a&gt;_Kathryn Bigelow&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/network-1976.html"&gt;Network      (1976)&lt;/a&gt;_Sidney Lumet&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/never-cry-wolf-1983.html"&gt;Never      Cry Wolf (1983)&lt;/a&gt;_Carroll Ballard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/new-leaf-1971.html"&gt;A New      Leaf (1971)&lt;/a&gt;_Elaine May&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/new-world-2005.html"&gt;The      New World (2005)&lt;/a&gt;_Terrence Malick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/new-york-doll-2005.html"&gt;New      York Doll (2005)&lt;/a&gt;_Greg Whiteley&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/new-york-new-york-1977.html"&gt;New      York, New York (1977)&lt;/a&gt;_Martin Scorsese&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/newsfront-1978.html"&gt;Newsfront      (1978)&lt;/a&gt;_Phillip Noyce&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/niagara-1953.html"&gt;Niagara      (1953)&lt;/a&gt;_Henry Hathaway&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/night-and-fog-1955.html"&gt;Night      and Fog (1955)&lt;/a&gt;_Alain Resnais&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/night-and-city-1950.html"&gt;Night      and the City (1950)&lt;/a&gt;_Jules Dassin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/night-at-opera-1935.html"&gt;A      Night at the Opera (1935)&lt;/a&gt;_Sam Wood&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/night-mail-1936.html"&gt;Night      Mail (1936)&lt;/a&gt;_Harry Watt &amp;amp; Basil Wright&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/night-of-hunter-1955.html"&gt;The      Night of the Hunter (1955)&lt;/a&gt;_Charles Laughton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/night-of-living-dead-1968.html"&gt;Night      of the Living Dead (1968)&lt;/a&gt;_George A. Romero&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/night-on-earth-1991.html"&gt;Night      on Earth (1991)&lt;/a&gt;_Jim Jarmusch&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/night-porter-1974.html"&gt;The      Night Porter (1974)&lt;/a&gt;_Liliana Cavani&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/night-prowler-1978.html"&gt;The      Night the Prowler (1978)&lt;/a&gt;_Jim Sharman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/night-to-remember-1958.html"&gt;A      Night to Remember (1958)&lt;/a&gt;_Roy Ward Baker&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/night-wind-1999.html"&gt;Night      Wind (1999)&lt;/a&gt;_Philippe Garrel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/nightjohn-1996.html"&gt;Nightjohn      (1996)&lt;/a&gt;_Charles Burnett&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/nightmare-alley-1947.html"&gt;Nightmare      Alley (1947)&lt;/a&gt;_Edmund Goulding&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/nightmare-before-christmas-1993.html"&gt;The      Nightmare Before Christmas (1993)&lt;/a&gt;_Henry Selick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/nightmare-on-elm-street-1984.html"&gt;A      Nightmare on Elm Street (1984)&lt;/a&gt;_Wes Craven&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/nights-of-cabiria-1957.html"&gt;Nights      of Cabiria (1957)&lt;/a&gt;_Federico Fellini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/nikita-1990.html"&gt;Nikita      (1990)&lt;/a&gt;_Luc Besson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/nine-lives-of-tomas-katz-2000.html"&gt;The      Nine Lives of Tomas Katz (2000)&lt;/a&gt;_Ben Hopkins&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/9-songs-2004.html"&gt;9 Songs      (2004)&lt;/a&gt;_Michael Winterbottom&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/nine-to-five-1980.html"&gt;Nine      to Five (1980)&lt;/a&gt;_Colin Higgins&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/1900-1976.html"&gt;1900 (1976)&lt;/a&gt;_Bernardo      Bertolucci&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/ninotchka-1939.html"&gt;Ninotchka      (1939)&lt;/a&gt;_Ernst Lubitsch&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/ninth-configuration-1980.html"&gt;The      Ninth Configuration (1980)&lt;/a&gt;_William Peter Blatty&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/no-country-for-old-men-2007.html"&gt;No      Country for Old Men (2007)&lt;/a&gt;_The Coen Brothers&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/no-direction-home-2005.html"&gt;No      Direction Home (2005)&lt;/a&gt;_Martin Scorsese&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/no-mans-land-2001.html"&gt;No      Man's Land (2001)&lt;/a&gt;_Danis Tanovic&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/no-quarto-da-vanda-2000.html"&gt;No      Quarto da Vanda (2000)&lt;/a&gt;_Pedro Costa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/nobodys-fool-1994.html"&gt;Nobody's      Fool (1994)&lt;/a&gt;_Robert Benton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/noi-albinoi-2003.html"&gt;Noi      Albinoi (2003)&lt;/a&gt;_Dagur Kári&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/nomads-1986.html"&gt;Nomads      (1986)&lt;/a&gt;_John McTiernan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/normal-love-1964-68.html"&gt;Normal      Love (1964-68)&lt;/a&gt;_Jack Smith&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/noroit-1976.html"&gt;Noroît      (1976)&lt;/a&gt;_Jacques Rivette&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/north-by-northwest-1959.html"&gt;North      by Northwest (1959)&lt;/a&gt;_Alfred Hitchcock&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/north-country-2005.html"&gt;North      Country (2005)&lt;/a&gt;_Niki Caro&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/nosferatu-1922.html"&gt;Nosferatu      (1922)&lt;/a&gt;_F.W. Murnau&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/nosferatu-vampyre-1979.html"&gt;Nosferatu      the Vampyre (1979)&lt;/a&gt;_Werner Herzog&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/nostalgia-1983.html"&gt;Nostalgia      (1983)&lt;/a&gt;_Andrei Tarkovsky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/nostalgia-1983.html"&gt;Nostalgia      (1983)&lt;/a&gt;_Andrei Tarkovsky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/not-reconciled-1965.html"&gt;Not      Reconciled (1965)&lt;/a&gt;_Jean-Marie Straub&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/notebook-2004.html"&gt;The      Notebook (2004)&lt;/a&gt;_Nick Cassavetes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/notorious-1946.html"&gt;Notorious      (1946)&lt;/a&gt;_Alfred Hitchcock&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/la-notte-1961.html"&gt;La      Notte (1961)&lt;/a&gt;_Michelangelo Antonioni&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/nouvelle-vague-1990.html"&gt;Nouvelle      Vague (1990)&lt;/a&gt;_Jean-Luc Godard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/now-voyager-1942.html"&gt;Now,      Voyager (1942)&lt;/a&gt;_Irving Rapper&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/nuns-story-1959.html"&gt;The      Nun's Story (1959)&lt;/a&gt;_Fred Zinnemann&lt;/span&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/o-brother-where-art-thou-2000.html"&gt;O Brother,       Where Art Thou? (2000)&lt;/a&gt;_The Coen Brothers&lt;/span&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/o-lucky-man-1973.html"&gt;O Lucky       Man! (1973)&lt;/a&gt;_Lindsay Anderson&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/objective-burma-1945.html"&gt;Objective,      Burma! (1945)&lt;/a&gt;_Raoul Walsh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/oblomov-1980.html"&gt;Oblomov      (1980)&lt;/a&gt;_Nikita Mikhalkov&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/obsession-1976.html"&gt;Obsession      (1976)&lt;/a&gt;_Brian De Palma&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/oceans-eleven-2001.html"&gt;Ocean's      Eleven (2001)&lt;/a&gt;_Steven Soderbergh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/october-1928.html"&gt;October      (1928)&lt;/a&gt;_Sergei M. Eisenstein&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/odd-man-out-1947.html"&gt;Odd      Man Out (1947)&lt;/a&gt;_Carol Reed&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/oedipus-rex-1967.html"&gt;Oedipus      Rex (1967)&lt;/a&gt;_Pier Paolo Pasolini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/office-space-1999.html"&gt;Office      Space (1999)&lt;/a&gt;_Mike Judge&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/official-version-1985.html"&gt;The      Official Version (1985)&lt;/a&gt;_Luis Puenzo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/offside-2006.html"&gt;Offside      (2006)&lt;/a&gt;_Jafar Panahi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/oh-mr-porter-1937.html"&gt;Oh,      Mr. Porter! (1937)&lt;/a&gt;_Marcel Varnel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/ohayo-1959.html"&gt;Ohayo      (1959)&lt;/a&gt;_Yasujiro Ozu&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/old-dark-house-1932.html"&gt;The      Old Dark House (1932)&lt;/a&gt;_James Whale&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/old-man-and-sea-1958.html"&gt;The      Old Man and the Sea (1958)&lt;/a&gt;_John Sturges&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/oldboy-2003.html"&gt;Oldboy      (2003)&lt;/a&gt;_Park Chan-wook&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/oliver-twist-1948.html"&gt;Oliver      Twist (1948)&lt;/a&gt;_David Lean&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/oliver-1968.html"&gt;Oliver!      (1968)&lt;/a&gt;_Carol Reed&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/om-dar-ba-dar-1988.html"&gt;Om-Dar-Ba-Dar      (1988)&lt;/a&gt;_Kamal Swaroop&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/on-clear-day-you-can-see-forever-1970.html"&gt;On      a Clear Day You Can See Forever (1970)&lt;/a&gt;_Vincente Minnelli&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/on-dangerous-ground-1952.html"&gt;On      Dangerous Ground (1952)&lt;/a&gt;_Nicholas Ray&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/on-golden-pond-1981.html"&gt;On      Golden Pond (1981)&lt;/a&gt;_Mark Rydell&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/on-beach-1959.html"&gt;On the      Beach (1959)&lt;/a&gt;_Stanley Kramer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/on-waterfront-1954.html"&gt;On      the Waterfront (1954)&lt;/a&gt;_Elia Kazan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/once-2006.html"&gt;Once (2006)&lt;/a&gt;_John      Carney&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/once-upon-time-in-america-1984.html"&gt;Once      Upon a Time in America (1984)&lt;/a&gt;_Sergio Leone&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/once-upon-time-in-china-ii-1992.html"&gt;Once      Upon a Time in China II (1992)&lt;/a&gt;_Tsui Hark&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/once-upon-time-in-west-1968.html"&gt;Once      Upon a Time in the West (1968)&lt;/a&gt;_Sergio Leone&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/one-and-two-2000.html"&gt;A      One and a Two (2000)&lt;/a&gt;_Edward Yang&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/one-false-move-1992.html"&gt;One      False Move (1992)&lt;/a&gt;_Carl Franklin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/one-flew-over-cuckoos-nest-1975.html"&gt;One      Flew Over the Cuckoo's Nest (1975)&lt;/a&gt;_Milos Forman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/one-from-heart-1982.html"&gt;One      from the Heart (1982)&lt;/a&gt;_Francis Ford Coppola&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/one-hundred-nails-2007.html"&gt;One      Hundred Nails (2007)&lt;/a&gt;_Ermanno Olmi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/ong-bak2003.html"&gt;Ong      Bak (2003)&lt;/a&gt;_Prachya Pinkaew&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/onibaba-1964.html"&gt;Onibaba      (1964)&lt;/a&gt;_Kaneto Shindô&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/only-angels-have-wings-1939.html"&gt;Only      Angels Have Wings (1939)&lt;/a&gt;_Howard Hawks&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/only-game-in-town-1970.html"&gt;The      Only Game in Town (1970)&lt;/a&gt;_George Stevens&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/only-son-1936.html"&gt;The      Only Son (1936)&lt;/a&gt;_Yasujiro Ozu&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/open-your-eyes-1997.html"&gt;Open      Your Eyes (1997)&lt;/a&gt;_Alejandro Amenábar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/opening-night-1977.html"&gt;Opening      Night (1977)&lt;/a&gt;_John Cassavetes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/or-2004.html"&gt;Or (2004)&lt;/a&gt;_Keren      Yedaya&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/orchestra-seats-2006.html"&gt;Orchestra      Seats (2006)&lt;/a&gt;_Danièle Thompson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/ordet-1955.html"&gt;Ordet      (1955)&lt;/a&gt;_Carl Theodor Dreyer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/ordinary-people-1980.html"&gt;Ordinary      People (1980)&lt;/a&gt;_Robert Redford &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/orlando-1992.html"&gt;Orlando      (1992)&lt;/a&gt;_Sally Potter&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/ornamental-hairpin-1941.html"&gt;Ornamental      Hairpin (1941)&lt;/a&gt;_Hiroshi Shimizu&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/orphans-of-storm-1921.html"&gt;Orphans      of the Storm (1921)&lt;/a&gt;_D.W. Griffith&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/orpheus-1950.html"&gt;Orpheus      (1950)&lt;/a&gt;_Jean Cocteau&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/osaka-elegy-1936.html"&gt;Osaka      Elegy (1936)&lt;/a&gt;_Kenji Mizoguchi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/oshidori-utagassen-1939.html"&gt;Oshidori      utagassen (1939)&lt;/a&gt;_Masahiro Makino&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/ossessione-1943.html"&gt;Ossessione      (1943)&lt;/a&gt;_Luchino Visconti&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/othello-1965.html"&gt;Othello      (1965)&lt;/a&gt;_Stuart Burge&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/other-1972.html"&gt;The Other      (1972)&lt;/a&gt;_Robert Mulligan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/our-daily-bread-1934.html"&gt;Our      Daily Bread (1934)&lt;/a&gt;_King Vidor&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/our-daily-bread-1970.html"&gt;Our      Daily Bread (1970)&lt;/a&gt;_Mani Kaul&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/our-daily-bread-2005.html"&gt;Our      Daily Bread (2005)&lt;/a&gt;_Nikolaus Geyrhalter&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/our-hospitality-1923.html"&gt;Our      Hospitality (1923)&lt;/a&gt;_John G. Blystone &amp;amp; Buster Keaton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/our-lady-of-sphere-1969.html"&gt;Our      Lady of the Sphere (1969)&lt;/a&gt;_Larry Jordan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/out-1-1971.html"&gt;Out 1      (1971)&lt;/a&gt;_Jacques Rivette&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/out-of-old-mans-head-1968.html"&gt;Out      of an Old Man's Head (1968)&lt;/a&gt;_Tage Danielsson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/out-of-sight-1998.html"&gt;Out      of Sight (1998)&lt;/a&gt;_Steven Soderbergh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/outcast-of-islands-1952.html"&gt;Outcast      of the Islands (1952)&lt;/a&gt;_Carol Reed&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/outer-space-1999.html"&gt;Outer      Space (1999)&lt;/a&gt;_Peter Tscherkassky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/outlaw-and-his-wife-1918.html"&gt;The      Outlaw and His Wife (1918)&lt;/a&gt;_Victor Sjöström&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/outlaw-josey-wales-1976.html"&gt;The      Outlaw Josey Wales (1976)&lt;/a&gt;_Clint Eastwood&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/outrage-1950.html"&gt;Outrage      (1950)&lt;/a&gt;_Ida Lupino&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/outsiders-1983.html"&gt;The      Outsiders (1983)&lt;/a&gt;_Francis Ford Coppola&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/outward-bound-1930.html"&gt;Outward      Bound (1930)&lt;/a&gt;_Robert Milton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/over-edge-1979.html"&gt;Over      the Edge (1979)&lt;/a&gt;_Jonathan Kaplan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/ox-bow-incident-1943.html"&gt;The      Ox-Bow Incident (1943)&lt;/a&gt;_William A. Wellman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/oyster-princess-1919.html"&gt;The      Oyster Princess (1919)&lt;/a&gt;_Ernst Lubitsch&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/page-of-madness-1926.html"&gt;A      Page of Madness (1926)&lt;/a&gt;_Teinosuke Kinugasa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/paint-it-yellow2006.html"&gt;Paint      It Yellow (2006)&lt;/a&gt;_Rakesh Omprakash Mehra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/paisan-1946.html"&gt;Paisan      (1946)&lt;/a&gt;_Roberto Rossellini&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pakeezah-1972.html"&gt;Pakeezah      (1972)&lt;/a&gt;_Kamal Amrohi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/pale-flower-1964.html"&gt;Pale      Flower (1964)&lt;/a&gt;_Masahiro Shinoda&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/palm-beach-story-1942.html"&gt;The      Palm Beach Story (1942)&lt;/a&gt;_Preston Sturges&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/pandora-and-flying-dutchman-1951.html"&gt;Pandora      and the Flying Dutchman (1951)&lt;/a&gt;_Albert Lewin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pandoras-box-1929.html"&gt;Pandora's      Box (1929)&lt;/a&gt;_G.W. Pabst&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/panic-in-needle-park-1971.html"&gt;The      Panic in Needle Park (1971)&lt;/a&gt;_Jerry Schatzberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pans-labyrinth-2006.html"&gt;Pan's      Labyrinth (2006)&lt;/a&gt;_Guillermo del Toro&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/paper-moon-1973.html"&gt;Paper      Moon (1973)&lt;/a&gt;_Peter Bogdanovich&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/papillon-1973.html"&gt;Papillon      (1973)&lt;/a&gt;_Franklin J. Schaffner&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/paradise-lost-child-murders-at-robin.html"&gt;Paradise      Lost: The Child Murders at Robin Hood Hills (1996)&lt;/a&gt;_Joe Berlinger &amp;amp;      Bruce Sinofsky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/paradise-now-2005.html"&gt;Paradise      Now (2005)&lt;/a&gt;_Hany Abu-Assad&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/parallax-view-1974.html"&gt;The      Parallax View (1974)&lt;/a&gt;_Alan J. Pakula&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pardon-my-sarong-1942.html"&gt;Pardon      My Sarong (1942)&lt;/a&gt;_Erle C. Kenton&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/parent-trap-1961.html"&gt;The      Parent Trap (1961)&lt;/a&gt;_David Swift&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/parfait-amour-1996.html"&gt;Parfait      Amour! (1996)&lt;/a&gt;_Catherine Breillat&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/paris-nous-appartient-1960.html"&gt;Paris      Nous Appartient (1960)&lt;/a&gt;_Jacques Rivette&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/paris-texas-1984.html"&gt;Paris,      Texas (1984)&lt;/a&gt;_Wim Wenders&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/partie-de-campagne-1936.html"&gt;Partie      de Campagne (1936)&lt;/a&gt;_Jean Renoir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/parting-glances-1986.html"&gt;Parting      Glances (1986)&lt;/a&gt;_Bill Sherwood&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/party-1968.html"&gt;The Party      (1968)&lt;/a&gt;_Blake Edwards&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/party-girl-1958.html"&gt;Party      Girl (1958)&lt;/a&gt;_Nicholas Ray&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/pas-de-deux-1968.html"&gt;Pas      de Deux (1968)&lt;/a&gt;_Norman Mclaren&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/passenger-1975.html"&gt;The      Passenger (1975)&lt;/a&gt;_Michelangelo Antonioni&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/passion-1982.html"&gt;Passion      (1982)&lt;/a&gt;_Jean-Luc Godard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/passion-according-to-berenice-1976.html"&gt;The      Passion According to Berenice (1976)&lt;/a&gt;_Jaime Humberto Hermosillo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/passion-of-anna-1969.html"&gt;The      Passion of Anna (1969)&lt;/a&gt;_Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/passion-of-joan-of-arc-1928.html"&gt;The      Passion of Joan of Arc (1928)&lt;/a&gt;_Carl Theodor Dreyer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/passionate-thief-1960.html"&gt;The      Passionate Thief (1960)&lt;/a&gt;_Risate Di Gioia&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/passport-to-pimlico-1949.html"&gt;Passport      to Pimlico (1949)&lt;/a&gt;_Henry Cornelius&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pastoral-to-die-in-country-1974.html"&gt;Pastoral:      To Die in the Country (1974)&lt;/a&gt;_Shuji Terayama&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pat-garrett-and-billy-kid-1973.html"&gt;Pat      Garrett and Billy the Kid (1973)&lt;/a&gt;_Sam Peckinpah&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/patch-of-blue-1965.html"&gt;A      Patch of Blue (1965)&lt;/a&gt;_Guy Green&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pather-panchali-1955.html"&gt;Pather      Panchali (1955)&lt;/a&gt;_Satyajit Ray &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/paths-of-glory-1957.html"&gt;Paths      of Glory (1957)&lt;/a&gt;_Stanley Kubrick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/patton-1970.html"&gt;Patton      (1970)&lt;/a&gt;_Franklin J. Schaffner&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pauline-at-beach-1983.html"&gt;Pauline      at the Beach (1983)&lt;/a&gt;_Eric Rohmer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pawnbroker-1964.html"&gt;The      Pawnbroker (1964)&lt;/a&gt;_Sidney Lumet&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/la-peau-douce-1964.html"&gt;La      Peau Douce (1964)&lt;/a&gt;_François Truffaut&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/peeping-tom-1960.html"&gt;Peeping      Tom (1960)&lt;/a&gt;_Michael Powell&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/peking-opera-blues-1986.html"&gt;Peking      Opera Blues (1986)&lt;/a&gt;_Tsui Hark&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/pelican-1973.html"&gt;The      Pelican (1973)&lt;/a&gt;_Gérard Blain&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/pendas-fen-1974.html"&gt;Penda’s      Fen (1974)&lt;/a&gt;_Alan Clarke&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/people-on-sunday-1930.html"&gt;People      on Sunday (1930)&lt;/a&gt;_Curt Siodmak &amp;amp; Robert Siodmak &amp;amp; Edgar G.      Ulmer &amp;amp; Fred Zinnemann&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/pepe-le-moko-1937.html"&gt;Pepe      le Moko (1937)&lt;/a&gt;_Julien Duvivier&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/pepi-luci-bom-1980.html"&gt;Pepi,      Luci, Bom… (1980)&lt;/a&gt;_Pedro Almodovar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/performance-1970.html"&gt;Performance      (1970)&lt;/a&gt;_Nicolas Roeg &amp;amp; Donald Cammell&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/perfumed-nightmare-1977.html"&gt;Perfumed      Nightmare (1977)&lt;/a&gt;_Kidlat Tahimik&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/persepolis-2007.html"&gt;Persepolis      (2007)&lt;/a&gt;_Vincent Paronnaud &amp;amp; Marjane Satrapi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/persona-1966.html"&gt;Persona      (1966)&lt;/a&gt;_Ingmar Bergman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/peter-pan-1953.html"&gt;Peter      Pan (1953)&lt;/a&gt;_Clyde Geronimi &amp;amp; Wilfred Jackson &amp;amp; Hamilton Luske&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/la-petite-chartreuse-2005.html"&gt;La      Petite Chartreuse (2005)&lt;/a&gt;_Jean-Pierre Denis&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/petrified-dog-1948.html"&gt;The      Petrified Dog (1948)&lt;/a&gt;_Sidney Peterson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/petulia-1968.html"&gt;Petulia      (1968)&lt;/a&gt;_Richard Lester&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/peyton-place-1957.html"&gt;Peyton      Place (1957)&lt;/a&gt;_Mark Robson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/phantom-carriage-1921.html"&gt;The      Phantom Carriage (1921)&lt;/a&gt;_Victor Sjöström&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/phantom-india-1969.html"&gt;Phantom      India (1969)&lt;/a&gt;_Louis Malle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/phantom-lady-1945.html"&gt;Phantom      Lady (1944)&lt;/a&gt;_Robert Siodmak&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/phantom-of-liberty-1974.html"&gt;The      Phantom of Liberty (1974)&lt;/a&gt;_Luis Buñuel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/phantom-of-paradise-1974.html"&gt;Phantom      of the Paradise (1974)&lt;/a&gt;_Brian De Palma&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/pharaoh-1966.html"&gt;Pharaoh      (1966)&lt;/a&gt;_Jerzy Kawalerowicz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/phase-iv-1974.html"&gt;Phase      IV (1974)&lt;/a&gt;_Saul Bass&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/phenix-city-story-1955.html"&gt;The      Phenix City Story (1955)&lt;/a&gt;_Phil Karlson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/philadelphia-story-1940.html"&gt;The      Philadelphia Story (1940)&lt;/a&gt;_George Cukor&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pi-1998.html"&gt;Pi (1998)&lt;/a&gt;_Darren      Aronofsky&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pianist-2002.html"&gt;The      Pianist (2002)&lt;/a&gt;_Roman Polanski&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/piano-1993.html"&gt;The Piano      (1993)&lt;/a&gt;_Jane Campion&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/piano-teacher-2001.html"&gt;The      Piano Teacher (2001)&lt;/a&gt;_Michael Haneke&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/piccadilly-1929.html"&gt;Piccadilly      (1929)&lt;/a&gt;_E.A. Dupont&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pickpocket-1959.html"&gt;Pickpocket      (1959)&lt;/a&gt;_Robert Bresson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pick-up-artist-1987.html"&gt;The      Pick-up Artist (1987)&lt;/a&gt;_James Toback&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/pickup-on-south-street-1953.html"&gt;Pickup      on South Street (1953)&lt;/a&gt;_Samuel Fuller&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/picnic-at-hanging-rock-1975.html"&gt;Picnic      at Hanging Rock (1975)&lt;/a&gt;_Peter Weir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/picture-of-dorian-gray-1945.html"&gt;The      Picture of Dorian Gray (1945)&lt;/a&gt;_Albert Lewin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pied-piper-1985.html"&gt;The      Pied Piper (1985)&lt;/a&gt;_Jirí Barta&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pierrot-le-fou-1965.html"&gt;Pierrot      le Fou (1965)&lt;/a&gt;_Jean-Luc Godard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/pigs-and-battleships-1961.html"&gt;Pigs      and Battleships (1961)&lt;/a&gt;_Shohei Imamura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pikoor-diary-1981.html"&gt;Pikoor      Diary (1981)&lt;/a&gt;_Satyajit Ray&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/pillow-book-1996.html"&gt;The      Pillow Book (1996)&lt;/a&gt;_Peter Greenaway&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pillow-talk-1959.html"&gt;Pillow      Talk (1959)&lt;/a&gt;_Michael Gordon&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/pimpernel-smith-1941.html"&gt;'Pimpernel'      Smith (1941)&lt;/a&gt;_Leslie Howard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pink-flamingos-1972.html"&gt;Pink      Flamingos (1972)&lt;/a&gt;_John Waters&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/pink-floyd-wall-1982.html"&gt;Pink      Floyd The Wall (1982)&lt;/a&gt;_Alan Parker&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pinocchio-1940.html"&gt;Pinocchio      (1940)&lt;/a&gt;_Hamilton Luske &amp;amp; Ben Sharpsteen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pirates-1986.html"&gt;Pirates      (1986)&lt;/a&gt;_Roman Polanski&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/pirates-of-caribbean-dead-mans-chest.html"&gt;Pirates      of the Caribbean: Dead Man's Chest (2006)&lt;/a&gt;_Gore Verbinski&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/pirosmani-1969.html"&gt;Pirosmani      (1969)&lt;/a&gt;_Giorgi Shengelaya&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pixote-1981.html"&gt;Pixote      (1981)&lt;/a&gt;_Hector Babenco &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/place-in-sun-1951.html"&gt;A      Place in the Sun (1951)&lt;/a&gt;_George Stevens&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/place-in-world-1992.html"&gt;A      Place in the World (1992)&lt;/a&gt;_Adolfo Aristarain &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/place-without-limits-1978.html"&gt;The      Place Without Limits (1978)&lt;/a&gt;_Arturo Ripstein&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/plague-of-zombies-1966.html"&gt;The      Plague of the Zombies (1966)&lt;/a&gt;_John Gilling&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/le-plaisir-1952.html"&gt;Le      Plaisir (1952)&lt;/a&gt;_Max Ophüls&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/plan-9-from-outer-space-1959.html"&gt;Plan      9 from Outer Space (1959)&lt;/a&gt;_Edward D. Wood Jr.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/planet-of-apes-1968.html"&gt;Planet      of the Apes (1968)&lt;/a&gt;_Franklin J. Schaffner&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/planet-of-vampires-1965.html"&gt;Planet      of the Vampires (1965)&lt;/a&gt;_Mario Bava&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/platform-2000.html"&gt;Platform      (2000)&lt;/a&gt;_Jia Zhangke&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/platoon-1986.html"&gt;Platoon      (1986)&lt;/a&gt;_Oliver Stone&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/play-dirty-1968.html"&gt;Play      Dirty (1968)&lt;/a&gt;_André De Toth&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/play-it-again-sam-1972.html"&gt;Play      It Again, Sam (1972)&lt;/a&gt;_Herbert Ross&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/play-it-as-it-lays-1972.html"&gt;Play      It As It Lays (1972)&lt;/a&gt;_Frank Perry&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/play-misty-for-me-1971.html"&gt;Play      Misty for Me (1971)&lt;/a&gt;_Clint Eastwood&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/player-1992.html"&gt;The      Player (1992)&lt;/a&gt;_Robert Altman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/playtime-1967.html"&gt;Playtime      (1967)&lt;/a&gt;_Jacques Tati&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/pleasantville-1998.html"&gt;Pleasantville      (1998)&lt;/a&gt;_Gary Ross&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/please-dont-eat-daisies-1960.html"&gt;Please      Don't Eat the Daisies (1960)&lt;/a&gt;_Charles Walters&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/plein-soleil-1960.html"&gt;Plein      Soleil (1960)&lt;/a&gt;_René Clément&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/plumber-1979.html"&gt;The      Plumber (1979)&lt;/a&gt;_Peter Weir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/pocketful-of-miracles-1961.html"&gt;Pocketful      of Miracles (1961)&lt;/a&gt;_Frank Capra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/07/poem-is-naked-person-1974.html"&gt;A      Poem Is a Naked Person (1974)&lt;/a&gt;_Les Blank&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/point-1971.html"&gt;The Point      (1971)&lt;/a&gt;_Fred Wolf&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/point-blank-1967.html"&gt;Point      Blank (1967)&lt;/a&gt;_John Boorman&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/point-break-1991.html"&gt;Point      Break (1991)&lt;/a&gt;_Kathryn Bigelow&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/poison-1991.html"&gt;Poison      (1991)&lt;/a&gt;_Todd Haynes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/poitin-1978.html"&gt;Poitín      (1978)&lt;/a&gt;_Bob Quinn&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/05/police-academy-1984.html"&gt;Police      Academy (1984)&lt;/a&gt;_Hugh Wilson&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/06/policeman-1933.html"&gt;Policeman      (1933)&lt;/a&gt;_Tomu Uchida&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops:list 36.0pt"&gt;&lt;span style="font-family:Arial;font-size:10.0pt;"&gt;&lt;a href="http://1linereview2.blogspot.com/2009/04/poltergeist-1982.html"&gt;Poltergeist      (1982)&lt;/a&gt;_Tobe Hooper&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt;  &lt;li class="MsoNormal" style="mso-list:l2 level1 lfo3;tab-stops
